#51 Kansas Jayhawks Preview

July 29th, 2010

Spring practices are in the books and fall camps will be here before you know it so that means getting an early jump on the 2006 NCAA football season. Knowing the teams now will save you time in August and Matt Fargo is here to help you get a grasp of what to expect this upcoming year. We go from worst to first in this 2006 College Football Preview.

#51 – Kansas Jayhawks 7-5 SU 6-5 ATS

Fargo’s Take Kansas finished 2005 with the most wins since 1995 and expectations are even higher in 2006. On paper, things look very dicey. The Jayhawks will be relying on a freshman quarterback to run the offense while the best defense in the Big XII last season needs to replace eight starters. However, there is not a lot of concern with these issues and coaches are confident that this team will be better that last year’s Fort Worth Bowl champs. Freshman quarterback Kerry Meier, brother of Kansas St.’s Dylan, is an exciting player that possesses both a strong arm and running ability and he will benefit from the return of 4/5 of the offensive line. The Jayhawks had the third best rushing defense in the country last season and the run stuffing should be the strength of the unit once again. The Kansas schedule is the best in the Big XII which will help in trying to get to a bowl game for the third time in four years.

Returning Starters on Offense – 7 The emergence of Meier in the spring has everyone in Lawrence buzzing since the quarterback position was a big weakness last year. He is an incredible athlete and once he gets comfortable with the offense, great things could happen. The offensive line is strong and that not only helps Meier but also the running game that struggled again last year. Running back Jon Cornish was a backup last season but ended up leading the team in rushing and the JUCO transfer is ready for a breakout season. He averaged a solid 5.8 ypc in his junior season. The receiving corps can be considered the weakness as there are no superstars but there is plenty of experience to make up for that. The offensive production came down slightly last year from 2004 but it will be better this season.

Returning Starters on Defense – 3 This defense was one of the best in the country a season ago and with only three starters coming back, a significant dropoff would be expected. However, the defense should be quicker this year and there is some great experience all over the place. Replacing Charlton Keith on the defensive line will be difficult but the three newcomers are all seniors and all are primed to repeat the solid rushing defense from last year. The linebackers are young but extremely quick and could be even better than last season’s unit. The secondary is the weakness but that might not be a big concern in the Big XII. The Jayhawks allowed 22 ppg last year, 28th in the country but taking out the one game against Texas and that average drops to 18 ppg which would have put them at 14th in the nation. The unit might not be that good but there will not be a huge dropoff like many are expecting.

Schedule This is where Kansas caught a huge break and the favorable schedule helps in many areas. A soft non-conference slate early in the season will help Meier get comfortable in the offense prior to conference action. Three home games against Northwestern St., La-Monroe and South Florida are all wins while a game at Toledo is the only big challenge. Three of the Jayhawks five Big XII North games are on the road but none of them are so overwhelming that they cannot be won. Nebraska. Iowa St. and Missouri are all ranked in front of Kansas but not so much that upsets cannot occur. The biggest break on the schedule is that the Jayhawks miss Texas, Oklahoma and Texas Tech, the top three teams from the South Division.

You can bet on… Kansas has an opportunity to either equal or surpass last year’s win total but it will be up to Meier to take control of the offense. The easy schedule at the beginning of the season is a blessing for that to happen before a run at the wide open Big XII South commences. Memorial Stadium has turned into a mini Allen Fieldhouse in Lawrence as the Jayhawks are 9-3 ATS at home over the last two seasons including a 5-1 mark against the number as home underdogs. Kansas has seven home games this year, six of which will be lined and we could see some excellent value based on the fact that many see a decline from Kansas. It could be just the opposite if everyone plays their roles.

Matt Fargo is a documented member of the Professional Handicappers League.
Read all of his articles at procappers.com/Matt_Fargo.htm procappers.com/Matt_Fargo.htm

2007 MLB Preview - Pittsburgh

July 28th, 2010

#27 Pittsburgh Pirates

2006 W-L 67-95
2006 O-U 78-78-6

15 years and counting. It has been that many consecutive seasons that the Pirates have finished below .500 and 2007 should make it 16 in a row. Pittsburgh is one of those small market clubs that cannot spend any money as it is in the bottom five in baseball in payroll. The Pirates finished ahead of the Cubs last season but Chicago went out and spent $300 million while Pittsburgh landed only one player, Adam LaRoche, and it had to trade its closer to do so. The young talent on this team is excellent but for this team to sniff .500 baseball, all of those young guys need to have breakout seasons while the few veterans need to carry the load even more. One glimmer of hope is the fact that Pittsburgh went 37-35 after the break last year so building on that momentum is always a possibility.

Money

Pittsburgh got itself into a huge hole early on as it started out 30-60 while dropping 25.3 units in the process. The backers that didn’t shy away however made some of that back in the second half as the Pirates netted just over 13 units following the All-Star break. Pittsburgh was the typical home/road team as it gained nine units at home thanks to going five games over .500 but the road was a different story. The Pirates won a National League low 24 road games and dropped over 21 units. One thing to keep an eye on again this season is when facing left-handed starters as Pittsburgh was a putrid 13-36 against southpaws for -21.7 units.

Pittsburgh was dead even in the over/under department. The Pirates finished 38-40-3 over at home and 40-38-3 over on the road so there was no advantage either way. The pitching was decent enough to not allow a ton of runs but still below average, while the offense could not score as the Pirates were dead last in the league in runs scored. While losing 36 games against lefty starters, 30 of those games went over the total showing the breakdown of the pitching. Not much went on during the offseason so it will likely be another similar year for the totals.

Offense

Run production was the problem last season as the Pirates averaged a league-low 4.3 rpg. Pittsburgh finished with a .263 batting average which was middle of the pack but its slugging percentage of .397 was dead last in all of baseball. It was the only sub-.400 slugging squad. The Pirates lone move to upgrade was picking up LaRoche who is coming off a very productive 2006 in Atlanta where he hit 32 home runs and knocked in 90 runs while slugging .561. He along with Jason Bay will provide the power. Freddy Sanchez will need another big year while Chris Duffy needs to break out as the lead-off hitter after a poor season last year.

Pitching

The pitching is extremely young but it was not horrible last year and another year of experience can go a long way. Zach Duke, Ian Snell, Paul Maholm and Tom Gorzelanny are all 25 and under and the future looks bright for all. There is no fifth starter in place yet but if Shawn Chacon can regain his 2005 form, the rotation can be very solid. The bullpen was a strength last season, finishing 5th in the National League with a 3.98 ERA but there might be a slide this season. Middle relief is a big question mark as is the closer situation with Mike Gonzalez, who didn’t blow a single save last year, now in Atlanta. Salomon Torres takes over that role and he did look good at the end of 2006 so he could surprise. Matt Capps had a great rookie season and should once again be productive as the set-up man.

Matt Fargo is a documented member of the Professional Handicappers League.
Read all of his articles at

Classical Guitar Tablatures

July 28th, 2010

A classical guitar is slightly different in shape from an ordinary guitar (i.e. rhythm guitar, bass guitar, Hawaiian guitar, etc.) The fret board, also known as the neck of the guitar, is slightly broader than that of other guitars. As a result the strings are more distanced from each other. The guitarist must stretch his fingers a bit more than when he is playing an acoustic or an electric guitar. When it comes to the string, the difference is that a classical guitar uses nylon strings instead of metal ones, making for a mellower sound.

Classical guitars are based on the classical mode of music and follow classically oriented instructions. But the modern day guitar tablatures follow a slightly different course from that of classical notations. Playing classical guitar is more inclined to figure work and plucking. Therefore, these classical guitar tablatures are more meticulously structured and they are much more complex and intertwined with more uses of notes (i.e. C, Bb, G, A, F, F#, etc) than others.

If we track back the history of tablatures, they have been used in the Western world for the last six centuries. They were mostly a horizontal grid read from left to right with letters and numbers written over them signifying the construction of pitches, and rhythmic signs above. Then by the 17th century various systems of tablatures existed in Germany, Italy, Spain and France. Nowadays tablatures, guitar tabs in particular, have vertical lines which represent the strings of the guitar (no matter what kind of guitar it is), horizontal lines for the frets, and dots signifying the position of the figures.

e-GuitarTabs.com Guitar Tabs provides detailed information on Guitar Tabs, Free Guitar Tablatures, Classical Guitar Tablatures, Bass Guitar Tablatures and more. Guitar Tabs is affiliated with Guitars-source.com Guitar Tabs.

Trisha Yearwood “Jasper County” Country Music CD Review

July 28th, 2010

I can describe the latest release from Country sensation Trisha Yearwood for you with just one word… Outstanding!

Trisha Yearwood has been a super star in the Country genre for quite a while now and Jasper County is an excellent illustration as to why.

Jasper County has a nicely varied, mix of 12 tracks that are very well written songs by this clearly talented artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Seemingly drawing from what I can only imagine are her own personal experiences. At different points touching on the most real emotions of love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

Overall Jasper County is an outstanding release. Quite possibly Trisha Yearwood’s best to date. Really sensational from beginning to end. If you’re even mildly into Country music you’ll enjoy this album.

While this entire album is really very good the truly standout tunes are Who Invented The Wheel [track 1], Trying To Love You [track 3], and Standing Out In A Crowd [track 6].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 10, Gimme The Good Stuff. It’s a great track!

Jasper County Release Notes:

Trisha Yearwood originally released Jasper County on Feb 07, 2006 on the MCA Nashville label.

CD Track List Follows:

1. Who Invented The Wheel
2. Pistol
3. Trying To Love You
4. River Of You
5. Baby Don’t You Let Go
6. Standing Out In A Crowd
7. Georgia Rain
8. Sweet Love
9. Try Me
10. Gimme The Good Stuff
11. It’s Alright
12. Love Will Always Win - (with Garth Brooks)

Personnel include: Trisha Yearwood (vocals); Garth Brooks (vocals); Mac McAnally (guitar, mandocello); Bryan Sutton (guitar, background vocals); Johnny Garcia, Tom Bukovac (guitar); Dan Dugmore (pedal steel guitar); Sam Bush, Aubrey Haynie (mandolin); Terry McMillan (harmonica); Reese Wynans (piano, organ); John Hobbs (piano); Michael Rhodes (bass guitar); Greg Morrow, Chad Cromwell (drums).

Get the information you want on your favorite smooth jazz songs and artists at

Loreena McKennitt An Ancient Muse Rock Music CD Review

July 28th, 2010

An Ancient Muse is the latest release from Rock Superstar Loreena McKennitt, and is another winner by this talented musician.

I wish it weren’t the case but, it’s not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with An Ancient Muse. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Rock music fans will recognize some of the well known contributors on the project including Brian Hughes and Tim Landers plus a few other notables as well.

Overall An Ancient Muse is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Rock fan. Really spectacular from beginning to end.

While this entire CD is outstanding some of my favorites are track 2 - The Gates Of Istanbul, track 8 - Beneath A Phrygian Sky, and track 4 - The English Ladye And The Knight

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 9 - Never-Ending Road. Great track!

An Ancient Muse Release Notes:

Loreena McKennitt originally released An Ancient Muse on Nov 21, 2006 on the Verve label.

CD Track List Follows:

1. Incantation
2. The Gates Of Istanbul
3. Caravanseral
4. The English Ladye And The Knight
5. Kecharitomene
6. Penelope’s Song
7. Sacred Shabbat
8. Beneath A Phrygian Sky
9. Never-Ending Road (Amhran Duit)

Personnel include: Loreena McKennitt (vocals, various instruments); Brian Hughes (vocals, various instruments); Tim Landers (bass guitar); Tal Bergman (drums, percussion); Hossam Ramzy (percussion). Recording information: Real World Studios, Box, England.

Clyde Lee Dennis does music reviews for smoothjazzhouston.com/ Houston Smooth Jazz Radio and also contributes to the stations news website smoothjazzhouston.com/news/ Houston eNewsBriefs where you’ll find the latest smoothjazzhouston.com/news/?s=community college Houston Community College news and information

How To Play The Violin

July 27th, 2010

It is true that if one wants to learn how to play the violin, one would find it difficult initially but playing violin gives immense satisfaction. One needs to put in a lot of effort to learn how to play the violin. One has to learn to hold the violin properly and to finger and sound the notes in the right manner.

Music instruction is a must when it comes to playing the violin. The very first thing that has to be learnt would be to hold the violin properly. If the violin is not held properly, one would always be uncomfortable playing. The left arm should be curved under the body around over the neck and your hand and fingers must be over the strings. The chin rest should be placed between chin and the left shoulder. Now, put the right arm in the front of the face to play the violin.

When one has learnt how to hold the violin, the next step is learning how to finger the notes. Guitars have frets that help find the notes but that is not the case with violins. The ears of the violinists have to be trained to identify where the notes are located on the fingerboard. A violin has four positions. The first position is considered to be at the end from the violinist’s face. It gives out low-pitched notes. The last i.e. fourth position is near the neck and produces the highest notes. The strings are tunes G, D, A, E from lowest to highest. Violin could be played open strings i.e. without pressing the strings. The tone of the string could also be changed by pressing it.

The next step would be the sounding of notes. One could drag the bow across the string/strings that have to be played. It would create a long steady sound. Another option is playing pizzicato which means plucking the strings with the help of the fingers of your right hand. It would produce a sudden staccato sound.

But does knowing how to play prove sufficient? Well, one should know what to play as well. Reading music is also a part of music education. There are many who like playing by the ear that ascertains that the sound of their violin would sound good in company of other’s also.

There is one question that needs answering first. Why do you want to play violin? It is the enjoyment that one gets out of it that makes the whole effort worthwhile. But if you take playing violin like any other task you have to do, you would soon get bored of it and your progress would hamper. It is true that you need to spend time practicing violin but it is also essential that you take out some time to play what you enjoy playing.

In the beginning, your hands would hurt a little. With time the fingers gain strength and your muscles start getting accustomed to this unusual posture of holding the violin. Your body would feel strange holding the violin initially but with practice everything would seem normal.

A violin player or for that matter any music professional has to keep up with competition right from the very beginning. The bar has to be kept high all through the period one plays violin. It might seem daunting in the beginning but one gets accustomed to it with time.

Joe Roberts owns and operates violin-lesson-info.com violin-lesson-info.com
violin-lesson-info.com Violin Lessons

What Makes A Great Actor? A Generous Spirit

July 27th, 2010

Because of our mutual interests and friendships, I’ve painted this town every hue imaginable over the last forty years with my college chum, Alan Martin. Saturday, however, was colored a bit melancholy. Saturday was his memorial service.

Alan was not only a vessel of velvet voice, bubbling talent and spectacular beauty who had starred in Hair, Jesus Christ Superstar and several other groundbreaking shows of his time. He was also a gent. The hundred people who packed the little church in North Hollywood spoke of his generosity. And his ability to not only light up a room. But be a beacon to others.

So the memorial was anything but solemn. Friend after friend spoke of how Alan’s unabashed humor and friendship made a difference in their lives. Hair’s “What a Piece of Work is Man” began a complex litany that rocked the little church with some of the best singing I’ve heard in years. Finally, the whole congregation swayed and sobbed their way through the penultimate Hair anthem, “Let the Sunshine In”.

The experience left me wondering what makes a performer great enough to be regarded that way. And why some, like Alan, get chosen to be one of the voices of their generation. I came to the conclusion that they not only possess rare talent, which Alan had in abundance. But also an ability to radiate their generous spirit to an audience. And to the world.

Some people just can’t help brimming over with who they are. Colorful Hair producer Michael Butler, who arrived still vital and charismatic in his 80s, is one. And, surveying my other college chums along with the scads of Hair and Jesus Christ Superstar performers who showed up Saturday, I realized that most of them also possessed these same qualities. One old chum is now a high-powered agent, another starred on Broadway and continues to work on stage and screen and still another is a Tony-award-winning actor touring in yet another hit show.

Haven’t you noticed that you gravitate towards people like that? You love them instantly and unconditionally. Their inner self-assurance not only enriches everyone around them. But also makes them stand out at auditions. Forcing Casting Directors to jerk up from their umpteenth cup of latte or sea of headshots and really pay attention. Then, if they can also deliver the acting goods, they win the role in a walk.

So it’s not only acting virtuosity or cold-reading prowess that’s a prerequisite for a great performer. It’s that unabashed sense of self and talent which I call a generosity of spirit. I recently did an intuitive reading for an actor who admitted, “I don′t know WHO I am”. If you feel that way too, here are a few ideas to coax out YOUR generous spirit:

Consider therapy. If you truly feel that you don’t know who you are, get some professional help to find out. Having a shaky sense of self while you’re wrenching out your guts and tossing them on the floor daily as an actor is a potential personal powderkeg. After two intense years of Method work, I finally admitted that I needed help. And found an amazing therapist who saved not only my career but possibly my life. It was probably the best thing I’ve ever done for myself.Volunteer. I have a friend who volunteers for everything. She’s constantly sending e-mails encouraging others to support her in her causes. A producer-writer friend also propelled her career into high gear by forging strategic alliances with ShowBiz luminaries she met while volunteering. Volunteering not only feeds your soul but reveals your generous spirit to the world. It’s an all-around win-win. Embrace your chutzpah. This Yiddish word means gutsy audacity of the best kind. Those with performance chutzpah train daily and devotedly to be the most confident actors they can be. Gutsy individuals turn any roadblock into a yellow brick road. Lit with neon. Audacious people also seem to have boundless energy at any age to rethink, reinvent and restart their careers. And the fortitude to keep going. This killer combination of bravery and persistence is not only inspiring to others. I wouldn’t want to live any other way! Would you?Be a friend. I come from a generation who passionately embraced friends and threw open our houses and hearts to them. My car failed to start on Saturday. And both old friends and new came to my aid to get me to Alan’s memorial and back again. It touched me deeply. In this very competitive ShowBiz climate, we sometimes forget that the relationships we make and maintain are the most important things in our lives. They’re also the backbone of our business. And what keeps us going when everything else eludes us. So, if you haven’t called your good friends lately, what are you waiting for? Put yourself out there! My biggest bugaboo is that actors often get sidelined in “Please-want-me-ville″ . . . bending their talent and personna to what they perceive those who might hire them might want. Remember that your most valuable asset is the uniqueness of your humanity. If you flaunt this asset, some might not like what you have to offer. But you’ll also find your real fans! Never be afraid to be you.Here are my last words about generosity of spirit. They began the memorial Saturday. They were one of the high points of Hair. And they were penned by another famous ShowBiz guy . . . Will Shakespeare. “What a piece of work is man! How noble in reason! How infinite in faculties! In form and moving, how express and admirable! In action how like an angel! In apprehension, how like a god! The beauty of the world!”

Jill Place, the Acting Intuitive, coaches actors by combining the best of 20th Century acting technique with her 21st Century intuition. Jill honed her intuitive and acting skills through years of intensive training with such illustrious teachers as Lee Strasberg, Uta Hagen, Sanford Meisner, and Viola Spolin and in her career as a successful singer, actress, and original Groundling. Jill is also a medical intuitive and spiritual healer. She can see where actors have emotional or energy blocks that keep them from fully expressing their craft and can intuit ways to easily remove these blocks. Jill’s students not only become better actors but quickly understand complex acting techniques that take years to learn. And they consistently work in films, on stage, and as television series regulars. Jill’s column, Art and Soul, is published monthly in the Actors Ink eZine at nowcasting.com nowcasting.com To read more about Jill and see more of her articles on famous acting coaches and her dynamic acting training, Act Intuitive, visit actingintuitive.com actingintuitive.com

Harry Potter Rave

July 27th, 2010

It is amazing to think about how the Harry Potter craze has captured the imagination of people all over the world. It doesn’t matter if you’re struggling with the business of living in some Third World country or happily ensconced in your glitzy Park Avenue penthouse in the Upper East Side of New York, chances are the Harry Potter craze has captured you and your ilk.

Harry Potter’s appeal transcends race or income bracket, culture and religion, sex and sexual orientation. The great majority of people simply love it. The appeal of powerful wizards and supernatural evils is certainly heady stuff. It’s like one big rollercoaster ride where no one knows what’s going to happen next. Perhaps the one sure this about this whole Harry Potter craze is that there will be a next installment of the series coming soon to a theater near you. And probably another one after that, and another, and another …

For the more perceptive ones around us, the Harry Potter craze is no surprise. The books were great fiction (J.K. Rowling must be laughing himself silly now, all the way to the bank). Admittedly, the first of the series of books did not make a huge impact right away, but children across the world quickly caught on. Soon enough, kids couldn’t stop talking about Harry Potter and were constantly in a frantic search for all the Harry Potter material that they could get their hands on. And, expectedly, parents soon got into the act and started looking into the newest buzz among their kids. They began reading the books and may of them hooked into Harry Potter craze. That the book series was transformed into a series of films was only inevitable. But one still has to take their hats off to the film’s producers and creators, because they have been able to translate the magic of the book into the big screen, making Harry Potter and his dazzling adventures even more larger than life.

Admittedly, some adults don’t fancy the movies as exactly their cup of tea. But others did fall in love with the series much like they fell in love with the Star Wars epic before that. There’s nothing like breath-taking sorcery and the battle of good versus evil on a grand scale to make us forget the price of theater admission. Among kids, however, one would be hard pressed to find a single one who wasn’t crazy about the whole thing from the very beginning.

It doesn’t matter if you’ve read the books or not. In fact, it hardly matters if you’ve seen any of the previous Harry Potter films. All you have to do is catch one of them (or the very next one) and you will be thrilled to the core. The worldwide web and your favorite DVD store (or Amazon.com) are other good places where you can pick up on the Harry Potter magic.

Philip Culver is the owner of myentertainmentweb.com My Entertainment Web, a website dedicated to providing arts and entertainment information.

The Macabre Poems [Part one: 17 poems]

July 27th, 2010

The Macabre Poems

1) The Unreal

Because you do not see—
Evil says: conscience is dead!
Aye! it is the insight of madness
Penetrating the veils of untruth—
For few are we:
For many are they….

2) Space Vampire

O solar mass, pull back:
black holes far and near—
those vampires—
devour stars like spiders bugs
Storms that sunder birds,
they, they are the curse
of the universe.

3) Otherwhere

I
Long ago, longer than—
Before a beast or man was born—
He chose for his
The hate whereto old evil clings,
With lusting angels stripped of wings
With Michael’s flaming hatred divine:
The hate whereto old evil clings,
It was thine, it was mine.

II
Have we not known,
O demos, débil O Satán:
The hate that creeps within your soul?
In evil your ally will go, never alone,
For the wingless that must devour
Will be waiting with hearts of stone,
Joy and laughter, and corruption—
And ill bliss, your dark lovers of the feast.
Yea! Lo, your own crimson bells
Ring for Satanic hell.

4) The Waking World

Out of time’s windows
He gazed—into the heavens,
Into planets, unnamed galaxies
—Light-years away,
With sealed vistas
That opened wide
For the macabre-naked eye—to see.
And unto him appeared—
Wild streams of midnight tears
Glittering like unprotected fire:
And so spellbound was he,
With all he had seen,
He crossed into the dream world,
The lost world of the woken:
And was never again seen.

5) The Glass Lyre

They fail to hear the glass lyre,
Its echoes, tarnished strings—
Where shadows ring.

6) The Stone Maya

Owls of the world,
Do not dream like fools—
Life’s delusions are real:
And evil was learned—

(We are but grasshoppers
Carved of stone).

I, for one, in darkness spun
(In deep temples of Tikal)
Echo with oblivion:
Delusions, illusion, fantasies—
Rising shadows no one can see.

7) Shadow-Gables

The young man leered and tittered along
haze-cloaked Riverside Street
with heavy padding feet;
tottering by houses on both sides:
as he passed them, they came alive.

Fresh walls of morbid evil,
shadows on gables,
window-eyes leered and reeked
in a black-wind of blasphemous runes.

House, street, padding feet:
intruding chimes: now! now –
a familiar sign, clutching at him….

8) Soul of the Devil (Ritual of the Macabre)

Subterranean evil
Lurks in the maggoty pale light
Of the sunless waters
Beneath the insidious city,
Where mirrored reflections
And pungent odors reside:
And decay grows
Where my forefathers lived
With primal rites…and still do.

The lyre, flute—I could hear!—
In the distance, called me….
To its toadless shores,
In this unhallowed earth
Cloaked in throngs.

There I saw the pillar of flame,
Where darkness was on fire:
Casting no shadows, in its
Calmness to death…

The horde—unwinged beings,
Hybrid things, appeared—
Lotus Demons with two limbs,
Scorpion-like tails, thin
Into the volcanic river they sang,
Enchantments, frightful things.

I wanted to ride the beast—
It tempted me, with wart-filled eyes:
Oozing at my flesh, staggered
To my thighs—then disappeared.

I shuddered restlessly—
Until it was best forgotten.

9) The Eldritch Tombs

Is this hell? Shapes bend, like the wind
Gates lie still, lurk around corners
And foul beings, never seen, never die.

Here, hounding doom fills nameless tombs,
Where esoteric manuscripts
Dare to tell the dread—what lies ahead.

There amid many, strange things I found—
Raving of madmen, curses and clowns:
Black books, stones, legends and frowns.

&amp#9674;

Out from this path in Witch-Town I crawled—
An ominous name—not to be found—
And in solitude I write this down….

Haunted by monstrous nightmares,
On a monolithic, rampant night:
Drowsy, dreamy, I say good-night.

10) Death and Tears

All the words that wake the dead
Have now been said—
Now you must paint with tears.

11) Open

12) Dragon Wings

Like piled leaves in late autumn,
Dragon wings of crimson gold—
Days are few….

13) Beauty’s Incarceration

The prisoner is beauty,
So they say:
Thus, I have captured her today.

Ecuador, 4/25/04

14) The Vanishing Dead

Come ride with me
(If you dare)—
On wingless angels
(That never cared);
To my doom, to my doom—
While the sunset still is there:
Darkened settings, everywhere.

The gloom of the Moon,
Immortals—dying
What beauty in obscurity…

I am the falling star,
Expiring; the haunting light,
I will come for you tonight.

St. Paul, Minnesota, 5/5/04

Note: This poem was inspired by the cover art of a book, by the Peruvian Artist [Arvieh].

15) A Demon’s Ark

(The Lotus Demon of Mercury)

Born from the horns
Of a wingless archangel,
With the pulse
Of perpetual night—
Lo, lifts the demonic horizon:
Immortalities’ jagged plight.

16) The Misbegotten Species (The Minds of Saturn

((Demons)) of the Ancient legendaries)

[Note: the Minds—a mere remnant of a low degraded horde of demonic-angelic beings—aborigines, one might say—whom comb the utter darkness of outer space for brute-hood, and thus, found Mercury’s inhabitants by chance, residing within an ancient giant crater. Thus, here is the story of a vanishing race that takes place: of which Zoov ‘al the leader, led seven and twenty ((Saturn-lites)), of his followers into the escalade.]

An Epic (Tale) Poem

[Mercury-lites]

Faded, dried and burnt, bear-rat meat,
Light-white, flowery, solar wine—
Volcanic walls all around them,
Hollow lava caves: occupied ….

*

[Saturn-lites]

Rodent-pelts over their shoulders
(Deemed, by most, most dangerous of all):
Demonic invaders from Saturn—
Well armed and accouterred:

Ropes and chains, knifes and swords:
Hooks and nails, crossbows and boards,
All warriors wore human fleece:
All warriors had studded-saber teeth.

*

All the warriors stood stone-still, silent
On the great volcanic rim of Mercury—
Black lava, eons cold and old,
The zenith: cloudless and frozen.

*

And then the sun rose high overhead,
The ancient legendaries swore
Countless blasphemies to the Godhead:
“Above—below—God is no more!”

Unnecessary: they hurled blocks—
Blocks of disdain inside their chest

(Arousing a battle cry—at best)

Like the flaming furnace in the sky—
The demons waited—with raging eyes.

*

This day, within the crater’s deep,

No hungry voices heard from below—
Hence—the invaders crept with light feet
Upon the sleeping (wine-filled) souls….

Lo!—caves that once were home became
Graves—alas!—by these demonic-beings
As up they crept, unto the sleeping prey
Of Mercury—this, this very day.

*

[The Feast of Saturn’s Henchman]

The vile eating habits of the demon:
Compulsively draining marrow
(Drinking bones: pale-dry, flushed-clean),
Ripping flesh and eyes, ribs and thighs

(Atrocious creatures of Primal Time).

*

[Then]

Black altars were placed upon the sand:
Came, demonic prayers with clasped hands,
Unto the Henchman—of hell—Agaliarept,
And the Ten-winged serpent—they bowed.

*

[Zoov ‘al’s epitaph]

Zoov bellowed with grasping lizard hands
(Heartily) after throwing rocks on skulls—
Clattering loudly his feet, he screamed:
“I am the god of Mercury, the god of all!”

The rim of the volcano trembled
(Mysteriously, unrepentant)
From its stomach came smoke and stone,
Lava, gases and boulders—a tomb.

Then a queer-colored blaze multiplied,
Dropped into veins of mud—
Into volcanic pits, of the dead;
Thus, sealing all, with a lid.

17) The Oarsman

The Oarsman at the oars,
The Arctic winds, the galley,
Captain at the helm,

The ghosts of leprosy,
The dead men from the sea,
No sun, pestilence:

All could see the cliff-tower—
The hour draws near—to trembling
Hissing—from the oarsman’s lips;

Passengers bellow—with Arctic eyes
Oozing the demon with a kiss,
Coming closer to land and mist;

The dead sit up within the boat,
The Polar-demon rows and rows;
Utter cold, no miracles—

Lo, the harbor: the oars stop—
Deadly—deadly—no one talks;
Iceberg-eyeballs—stare and stare;

A tide of intolerable silence
Flows and ebbs, and flows again
For Hell’s henchman: Agaliarept.

Flung to the wide side of the vessel,
“You will serve me well,” he echoes:
The voyage is now final.

Originally in: “The Eldritch Dark,” (March 2004), and Who’s Who in Poetry.

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com

The Macabre Poems [Part Six: Poems: 111 to 126/the last part]

July 26th, 2010

111) Droughts along the Mesa
[Mesa Verde: 1200-1300 AD]

Written after visiting Mesa Verde [8/04], and walking among its renowned cliff dwellings in its 53,000-achers National Park; the author was captivated by its legacy. The cliff dwellings were only occupied for some 75-years before the inhabitants moved south due to the 24-years of droughts they had to endure.

And God called the dry land earth.—Genesis

Sorrow on sorrow the droughts brought
So many deaths it had gulped, gulped up;
The blood, flesh, the bones and the marrow
Shapeless, final, incinerating—
It could not digest all in a day,
And so it took 24-years, and stayed.

Death faces, scorched lands and trees,
—spirit ancestors, along the mesa,
Their macabre shadows laced with light
Within the cliff dwelling of silent nights.
(Living on forgotten memories.)

Cries the ancient ones, the Anasazi
(of days past):
“A thousand lungs rooted to hearts—
A thousand tombs, and empty guts;”
Murmured a bowel-empty: ‘Why must I die?’

*

Brains starved to death for lack of water;
Eyes weakened by battling the droughts;
A thousand faces ten-thousand ribs:
A thousand tombs and empty guts—
Strangled for the lack of wind.

A thousand cliff dwellings now tombs,
Along the mesas and valleys of stones:
Cry, cry, like dead crows that lay—
Lay over the once young breasts, now dead.
(That once laughed instead.)

[The drought— the drought:]

Over men and women’s bodies,—deafness,
Deafness of the drought; burst ear drums—
Ear drums that shouted, for hunger and thirst
Now these bodies are empty without souls.
(Like dead flowers without stems.)

Expired now, they knew the drought
The drought would outlast them….

The drought, gaping, and gulping with greed:
The ancestors wept upon their knees,
“Keep your fingers moving, deadliness ahead.”
And the worms kept creeping deeper in,
And up and through the eye sockets

The whole earth was its tunnels, as they coiled,
Through the pores and blood-dark doors,
Open-rusted veins never seen before.

*

“Move, move on to other lands,” cried,
Cried and screeched the Ute and Anasazi!
(To the living of Mesa Verde)

And the streets closed forever
And the cliff dwellings closed forever
And the dead lay where the’re buried
And living abandoned forever the dead.
(Forever—Mesa Verde.)

August 6, 2004, #351/published on the internet sight useless-knowledge.com

112) The Devils
Windless Chamber

For the devil there is no wind—
There is no breath, only a chamber
Where the blood between the thighs,
Awaits—awaits the day: the day
Long life—chains him
Like an eagle clinging, clinging—
To mason walls, faceless stone walls:
Walls collapsing with brittle bones,
Earless, eyeless, walls of stone.

Here speechless worms appalled—
Watch and wait, with pulsating claws,
Murderous claws that want to reach him:
To eat his marrow, and suck his salty blood.

*
His hands tremble, and his heart pounds.
Something grabs his arm, his throat—.
His horny head, his egg-shell eyes,
His shark-teeth—all scream, yet chains remain.
He beats his chest and cracks his face;
With scorpion legs, he kicks his belly.
He snatches from the wall dirt to eat.
He stands covered in brackish blood;
Worms watching and waiting—waiting.
He drops his head, like a sword tossed
Like a sword tossed to the ground—.

“From dust to dust,” he murmurs,
“Let me die like a god!”

*

The devil clapped his beak, scratched it,
He looked for a sip of water—
And cried to heaven—
But no one noticed, not anymore.
Yet, yet still he could hear his heart pound,
As a strange silence came about,
And the dribble from the worms, longed.

8/24/04—#352: written on the The day Pompeii died

113) The Witch Speaketh:

Once witches danced to plenilunal magic,
With weak souls to molest—;
And ah, yes, way back then,
Sin, boldly robed men—of virtue,
And witches, robed—their piousness.

8/26/04 #355/Publushed on the Eldritch Dark site

114) War and Empty Shells

The life that was once in these
Young and vibrant bodies,
Are now like hollow shells—
Gone are the once, beautiful-self’s;
Where once a heart-beat dwelt!

From nothing, to nothing,—
They came and left;
Perhaps—: perhaps it was best,
For inside of war—we’re but living shells,
Obedient to heart-beats, if you will.

Now, all but empty, deserted shells—
Left on the battle fields.

*Poem #357, 9/2/2004 [part of the story, “Yesterday was a better day,” a short story of Vietnam]

115) Ol Henri Sanson

Ol Charlie-Henri Sanson
With just one swing—
With a sword could bring,
The condemned head off:
Quicker than an ax and block.

Note: The Charls Soason family, held the title in Paris of executioner from 1688 to 1840: the official title being: ‘exeuteur des hautes oeuvres de poris,’ #368 10/10/04

116) Forced Silence

The scold bridle, the gagging strap;
Scorned by women, long ago,
Was cruel….

#367, 10/10/04

117) Purple Twilight

(In tune with her mood.)

Lit with sad stars
was a dreamlike, melancholy
purple twilight
that bred subconscious fears.

Then, hidden under her pillow
in an open book
(she was slow to admit
she found life disappointing—)
she found a slip
of an old manuscript,
it read: ‘I shall never know
but only doubt, if life is
hidden behind the clouds?’

#366 10/10/04

118) Clap of the Eye

Again she walked
Eyeing the passing faces
With nervous-distrust
Her stages of life—
Recurring to her
One after another
She boarded a bus
And was carried away
From the crowd and glitter
Of the world she knew
To a narrow, dingy street
With glasshouses of windows
Inside it grew hotter and hotter
She became anxious
The conductor said [shouted]:
“This is your stop!”
The bus slowed down
She got dizzily to her feet
In a moment, on the pavement
She found herself alone
Her pilgrimage straight ahead
Everything sooty-glass
Balconies with burning fire
(So it seemed)
A vast horde of cries echoed
(Peeled her skin like the wind
Humanity was not present
Without purpose it seemed
And without hope
She ran as if the devil was near
Stood panting, stomach sinking
She squeezed her hand
Denying her misery
Where was she in this?
In this evil labyrinth—
She wanted to faint, weep
She perceived one consolation:
She’d never marry again:
Not for money or adoration….

10/8/04 #366

119) Allen Ginsberg
[The poet’s game]

He leaps, and leaps, upon his knees—
A little messy if you please:
The phantom –boys, he so adores,
He masturbates: for hours more.

The Poet-man—says so:
He thinks they are, playful toys—
Obliged, obliged he cries: by name,
Fuc…ing their ass, and pubic manes;
To molest—their growing pains.

Allen Ginsberg’s, poetic game.

120) Blackblood: The Beast
[Sub-sonnets I]

The beast that eats me in the eyes of all,
This hate, this craving, this insensible thing,
That has bled me dry as the snow flakes fall,
Will puke, will vomit, and fade by summer.
My wounds will heal, my fate will abate,
The entwined anger will subside in the beast;
He will forget within hells summer heat
My look that is today his feat and breathe.
Unharmed, somewhat, from a scorn so deep
Though I should hate him I cannot do:
Revenge is deadly: blackblood in the soul,
Sharp like an arrow, with burning red coal
Blood from his attack a double edged sword
Will never heal between beast and Lord.

#359/9-18-04

Blackblood: Strange and Fatal
[Sub-sonnet II]

Nay, wicked dictator, with fire worm flesh
“Sweet country, my loves have pity!” he cried.
Lo, the evil, the blackblood in his flesh
That rips the red-hearts out, all now dead.
An’ you, who didn’t think in human terms,
Filling dungeons and graves with piteous woe;
Upon your throne, dreaming or awake,
With an empty heart and Hell for a grave
Your mortal breath, ministers only death.
Now, now you thirst confessor of no sin,
Yet should you be free, free to call my name
You’d surely summon me to be slain.
But that I would not boast, if I were you—
Upon your dubious veins resides evil.

Blackblood: The Window
[Sub-sonnet III]

Disdainful dust, comes within an hours rush
You will be weight and brought to bed with him.
When you are dead, no more storm-filled eyes:
When your blood will roar and roar, yet be rust
This moment, plainly visible like green grass
The world will sing in delight of your past.
Your body’s heat and sweat desirous
A shameful kiss, obscure—from Satan’s mist;
Wherewith you, you will remain powerless—
To evoke, choke yourself from the whims of court.
Your bewildered dead heart will have no peace
Fluttering at the ravished winds of time:
Cry, cry as you may, cry will not let you go
For you are the fluttering beat by the window.

#360 and #361/9-2004/ Published in October on the Eldritch Dark Internet Magazine site

121) A Garden with Voices

I hear them in the garden—
I feel them from my door,
A flower is a face to me,
With eyes that have no scorn.

The Dandelions are white today
Blossom-balled they seem
The Calla Lily stems are tall:
Sensuous—with youthful green.

I wonder if it hurts to live—
I mean, like you and I?
Enlightened by the centuries,
I wonder if they cry.

Death is once, and comes to all—:
The reason, I know not why;
But jealousy, I see is nil,
Within the garden’s eyes.

Crickets, bees and butterflies,
And honey bears to boot—
All prefer the garden, like me:
To walk on top of roots.

So whether it be runes or rimes,
Piercing comforts or divine—
Leave me in the garden walk
To listen to the garden talk.

(I leave this world to thee.)

#358 9/13/04 dedicated to VM

122) The Mistress elf

Down the stairs with prancing feet
The Mistress Elf walks up the street;
And by and by she walks her pace
From fall to winter to early spring.
And hiding in her secret place
The Mistress Elf grins at fate;
An eerie kiss she carries with thee
And—curses the wheeze, within the trees.

O! cool dim, and frolic child—
With waxen ears and shielded mind,
Your stars are chained to your heart,
Stop and think before you start.

A soulless earth, with vanities:
Her first true love, I can see—.
Love for time, space and things,
Is but a childish dream.

The light in the eyes is greater than thee
She does not want to die—I see;
To live here and now in piety,
To live and die in mystery.

Why then—not a cup of wine!
Bitter-sweet, with lure repine
‘Ts all that’s thy, Mistress—Elf.

*Inspired by Alyce Ornella/and the Yam Yam Elf’s [#365]
By Dennis L. Siluk/9/30/04

123) Orange Twilight

Snow on earth falls gently, gently falling,
Where more dark days lie
Eerie is the voice that calls all, eerie calling,
At orange twilight.

Hate, I hear thee
How gentle, how eerie his voice is now calling,
Never answered, and the dark snow keeps falling,
Now—and then.

Light to our hearts, O hate, shall die in the cold
As his eerie heart is slain
Under the thorny twilight, his heart decays
In the grumbling white-rain.

#361/ 9/25/04—Published by the Eldritch Dark Site

124) Beauty Denied

Beauty is beauty:
different or prepared,
accepted or denied,
irritating or stimulating
When was it —
not beautiful?
If you can remember,
then it was always
beautiful—: thus, this
was beauty denied,
now accepted….

#362 9/26/04

125) The Death Rattle

‘Thou will not return
The dead await ye!’
The earth replied,
With a leap—
Form of a shadow
Trampling my bones
All the way down—down
To the House of Darkness—
Home of the damned:
No doors, no bolts,
Men like wild animals.
—The earth opened its legs wide,
Said, ‘There is no cure for this,
One’s fate is settled!’

#369 10/13/04

126) The Hyena Demigod

Head of the Hyena
[Part I]

The long night
The first glow of dawn
The Jackal, lion, wild bull
Mourned the death
Of the Hyena.

They cried:
“He is dead, he is dead!
How can we bear this sorrow?”
(like a woman with birth pains)
The wild deer, leopard
Ragging in the wilderness—
(gnawing at their bellies, restless).
But the god’s of the underworld
Would not hear—
For they wanted his head
Like a scorpion prizes his tail.

Journey of the Hyena
[Part II]

Darkness was inside the tunnel
Inside the tunnel it was deep
Deep darkness that lead to the gates;
Nothing could be seen: behind,
Along side, in front of the Hyena;
No breeze, no light, emerged.

The gate keeper appeared—
Agaliarept, the Henchman was near,
The Hyena looked up, saw them standing
He shouted (face burnt like coal),
Maggots crawling from head to toe,
As he leaped from the dark—
The demon severed his head,
Placing it upon Agaliarept;
As his lower body turned into clay.

The Prized—Hyena
[Part III]

His head was now hollow
His cheeks were ravaged,
His eyes frozen, burnt black
His crooked teeth, yellow
His facial muscles pained
With anguish—

Agaliarept had many heads:
The bear, lion and leopard
But the hyena was the prize.
“The god’s of Hell envy me,”
He cried—(unsleeping-undying
Demigods, shadow-gods).
“This is the way of the underworld,
Death drags all away,” he whispered,
Whispered to the pile of clay.

#369/10-16-04

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com