Archive for September, 2007

The West Wing (DVD) Review

Sunday, September 30th, 2007

Premiering in September 1999, the original NBC series The West Wing built an instant cult following with its seemingly realistic weekly excursions into the inner sanctums of the White House. The series became such a hit that some pollsters claimed that certain people actually believed Jed Bartlet was the real president (although, if true, this is more of a negative reflection on the intelligence of the electorate, and not necessarily an indication of West Wing’s realism). But regardless, the truth of the matter is that West Wing definitely strikes a chord with certain audiences, providing entertaining brew of action, suspense, and drama on a weekly basis…

Seasoned Hollywood actor Martin Sheen plays the lead role of President Jed Bartlet. The day-to-day affairs of Bartlet’s administration are run by a number of individuals who surround him, among them are: Claudia “C.J.” Cregg (Allison Janney), Josh Lyman (Bradley Whitford), Sam Seaborn (Rob Lowe), Toby Ziegler (Richard Schiff), Leo McGarry (John Spencer), and Charlie Young (Dule Hill). West Wing follows these dedicated staffers as they work extended hours behind-the-scenes to help keep the White House running smoothly. Along the way, the stress of the job and the characters’ personal lives make for an interesting glimpse into what many believe is an accurate portrayal of a real-life White House administration…

The West Wing DVD offers a number of dramatic episodes including the series premiere in which we meet each of the recurring characters for the first time. The White House has their daily routine interrupted when President Bartlet falls off his bike, and Sam realizes the girl he picked in a bar the previous evening was a high-priced prostitute. Meanwhile, several members of the administration become embroiled in an ongoing feud with the “religious right,” prompting President Bartlet to personally condemn a group of fundamentalists known as “The Lambs of God″… Other notable episodes from Season 1 include “The Crackpots and These Women″ in which administration staffers spend their day listening to a number of crackpot, single-issue groups lobbying for federal favors, and “Take This Sabbath Day” in which President Bartlet grapples with the decision to commute the death sentence of a convicted killer following a Supreme Court ruling upholding his sentence…

Below is a list of episodes included on The West Wing (Season 1) DVD:

Episode 1 (Pilot) Air Date: 09-22-1999
Episode 2 (Post Hoc, Ergo Propter Hoc) Air Date: 09-29-1999
Episode 3 (A Proportional Response) Air Date: 10-06-1999
Episode 4 (Five Votes Down) Air Date: 10-13-1999
Episode 5 (The Crackpots and These Women) Air Date: 10-20-1999
Episode 6 (Mr. Willis of Ohio) Air Date: 11-03-1999
Episode 7 (The State Dinner) Air Date: 11-10-1999
Episode 8 (Enemies) Air Date: 11-17-1999
Episode 9 (The Short List) Air Date: 11-24-1999
Episode 10 (In Excelsis Deo) Air Date: 12-15-1999
Episode 11 (Lord John Marbury) Air Date: 01-05-2000
Episode 12 (He Shall, from Time to Time) Air Date: 01-12-2000
Episode 13 (Take Out the Trash Day) Air Date: 01-26-2000
Episode 14 (Take This Sabbath Day) Air Date: 02-09-2000
Episode 15 (Celestial Navigation) Air Date: 02-16-2000
Episode 16 (20 Hours in L.A.) Air Date: 02-23-2000
Episode 17 (The White House Pro-Am) Air Date: 03-22-2000
Episode 18 (Six Meetings Before Lunch) Air Date: 04-05-2000
Episode 19 (Let Bartlet Be Bartlet) Air Date: 04-26-2000
Episode 20 (Mandatory Minimums) Air Date: 05-03-2000
Episode 21 (Lies, Damn Lies, and Statistics) Air Date: 05-10-2000
Episode 22 (What Kind of Day Has It Been?) Air Date: 05-17-2000

About the Author

Britt Gillette is author of The DVD Report, a thedvdreport.blogspot.com movie review site where you can find more reviews like this one of thedvdreport.blogspot.com/2006/01/west-wing-dvd.html The West Wing (DVD) Review.

Inspiration for Teachers: 8 Universal Laws

Sunday, September 30th, 2007

The Law of the Future

I realize this is a bumper sticker cliche, but it doesn’t make it any less true. You really do “touch the future” with your students.

The Law of the One

Most people can remember the one or two teachers who believed in and took a special interest in them. For many of us, these special teachers made a tremendous difference in our lives. Might you be “the one” this year?

The Law of Learning

Whatever subject you teach, if you can foster a love of learning in your students, you have done more than perform your job well.

The Law of the Three P’s

Politics: In teaching, as in any other profession, there are politics. You don′t have to be an integral part of all of it. You do need to be aware of it, however.

Paperwork: Many teachers complain about the overwhelming amount of paperwork that keeps coming at them each year. I’m certainly no fan of paper work. The most important thing is to not let the first two Ps interfere with the third P.

Passion: When you bring a sense of passion to what you do inthe classroom, it will spread to your students. Not to all of them, of course. But enough of them will pick up on and catch your passion to make a huge difference.

The Law of the Role

Too many times, I hear someone say, “I’m just a teacher.” Stop right there. You are so much more. Instead of concentrating on your job title, focus instead on your role. You are so much more. You are a: Counselor - Confidant -Influencer - Future-shaper - Preparer of minds - Future changer - and much more.

The Law of a Difference

All the roles listed above, and many others, contribute to you making a difference in the lives of your students. It was said best by a few lines on a framed picture my lovely wife Lauren gave me:

“A hundred years from now it will not matter what my bank account was, the sort of house I lived in, or the kind of car I drove … but the world may be different because I was important in the life of a child.”

The Law of the Visit

If you are one of the folks who have been truly blessed by “the visit,” you’ll be able to relate to how powerful this is.

It may come in the form of a phone call, e-mail, letter or actual visit. It’s when one of your former students comes back and lets you know what a difference you made in his or her life. It may not even be something you remember saying, but the former student does because it made a difference. It can make your day or even your year, and reminds you why you are doing what you are doing.

The Law of the Starfish

Later this year, if you find yourself overwhelmed, stressed out and just tired of it all, you may wonder if you’re making any difference at all. Save this story for those times.

A man was walking down the beach one day and came across hundreds of tiny starfish that had washed up on shore. He immediately began to pick up as many as he could and throw them back in the ocean. He repeated this over and over, until another man walked up and asked him what he was doing.

“Isn′t it obvious,” said the man. “All these starfish will die if we don′t get them back in the water. Please help me.”

The second man replied, “What’s the use, you′ll never be able to get them all back in the water. So what difference does it make?”

The man bent down, picked up just one starfish, and tossing it back into the water said,

“It makes a difference to this one.”

Visit secretsofgreatrelationships.com SecretsofGreatRelationships.com for tips and tools for creating and growing a great relationship. You can also subscribe to our f*r*e*e 10 day e-program on how to enrich your relationship today, from relationship coach and expert Jeff Herring.

Have Fun Playing Chess

Sunday, September 30th, 2007

Chess is highly regarded as an intelligent mans past time. It is played only by the nerd groups in high school with the highest GPAs and IQs. Then soon thereafter it looses sight of the common person and rarely is ever seen or talked about except when some movie highlights about chess and chess sets.

However, it is a sport with an International small group of followers. These geniuses spend their entire lives centered around chess and the many different ways you can best your opponent. What is so special about chess? That is a question that if people could see and realize would grasp a hold of. It would become part of the education system for sure.

Chess is a logical mind game that opens up new paths of thought and is especially beneficial to young children. Just imagine if your child could think objectively to solve a situation by plotting the pliable solutions and then choosing the best one for everyday situations? How much smarter would your child be? How many fights, incidents would be evaded because they have been put onto a higher plane of thought.

Chess can do that. It really is not just a nerds sport, since many video games entail similar purposes except they do not cause the person to think in that manner. Chess is more of an educated or elevated sport and thus takes a certain amount of respect. If people would think straight, politicians would have to be a little bit more honest.

If people would think straight, ignorance could be eradicated, and so forth. Things such as good education are the only tools to solving this. Therefore, next Christmas be sure to buy a chess set for your child and watch them grow. Cultivate their minds now while they have a chance to grow and learn, mold them to be our future and not our downfall.

Chess is highly regarded as an intelligent mans past time, next Christmas be sure to buy a chess-smart.com chess set for your child and watch them grow.

Is All Hip-Hop Local

Sunday, September 30th, 2007

I grew up in the Washington, D.C. metro area (Alexandria, VA to be exact) in the 80’s and 90’s. If you grew up on the east coast during that time, the road to Hip-Hip music and culture lead to one place - New York. Hip-Hop music and culture is American but its specific origin is in New York (Bronx, NY to be even more specific). From the early 80’s through the early-mid 90’s, what we learned about and embraced when it comes to Hip-Hop came directly from New York. All of the elements of Hip-Hop was started and thrived in New York City.

As Hip-Hop became more and more popular, as its music and culture spread to other parts of the country (and the world), local scenes began to emerge and thrive, with the natives embracing New York-influenced Hip-Hop but also giving their own interpretation of the culture.

Washington, D.C. is a “hub” of Hip-Hop culture, meaning that just about anybody who’s somebody in Hip-Hop travels to and through D.C. D.C. is always a major stop on the itinerary of Hip-Hop’s biggest figures. Yet D.C. has never been known as a hotbed for Hip-Hop music and culture. D.C. is home of Go-Go music and though Hip-Hop is popular in this area, Go-Go has and always will be king in the nation’s capital! (Go-Go music was created in D.C. right around the same time Hip-Hop culture began to take shape in New York.)

D.C. has a rich music history other than Go-Go music. Duke Ellington, the great Jazz composer was from D.C. The great R&B singer, Marvin Gaye was from D.C. Historically, Punk rock music has had a significance presence in D.C. But D.C. is a go-go town. Go-Go is the face of D.C., the music shapes the identity of “Chocolate City”.

Washington D.C.’s local music scene is dominated by Go-Go music. Grunge music was started in Seattle, Washington. House music was developed in Chicago. Every area; whether broken down by region, state, city or even neighborhood, has its own local music flavor. Hip-Hop’s reach is global. But Hip-Hop music doesn’t have a monolithic sound. The east coast, west coast, Midwest, dirty south-all of these regions of the U.S. have developed its own interpretation of Hip-Hop music and culture.

Though record sales of its music are declining, the culture continues to thrive. This is due in part to the localization of Hip-Hop which really began to become more evident in the late 90’s. As a long-time fan of Hip-Hop music, I struggled with this development because as I stated earlier, I grew up in an era when New York was Hip-Hop. Period. Don’t get me wrong, I loved N.W.A. and Ice-T from the west coast, Geto Boys and later Outkast from the south, but the majority of my influence and inspiration came from New York’s Hip-Hop scene. And as I said, there really wasn’t (and still isn’t) much homegrown Hip-Hop in D.C. So I was somewhat reluctant to embrace of the emergence of Hip-Hop artists coming out of Atlanta, Houston, Tennessee, St. Louis, Detroit, etc.

For example, I loved N.W.A. and the sounds of Dr. Dre from day one, but most of music that has come out of the west coast over the years hasn’t grabbed me the way the music of Ice Cube, Ice-T, Too Short, Tupac and Snoop Dogg has. I like The Game, but honestly west coat Hip-Hop just isn’t on my radar the way it was in the early to mid 90’s. I’ve always loved Outkast, Scarface & the Geto Boys and I think that some of the best MCs in the game today come out of the south like T.I, Ludacris and Lil’ Wayne. Still, while I love the music from today’s dirty south Hip-Hop (obviously influenced by the southern soul and funk from the 60’s and 70’s), I’m often under-whelmed by the lyrical performances of many of the MCs who represent the Dirty South.

But I have grown an appreciation for non-New York/east coast Hip-Hop. For example, I didn’t like Nelly when he first came out. He still wouldn’t make my 10 greatest MCs list but I think he’s a true talent that has made a notable contribution to Hip-Hop. Outkast is one of the greatest Hip-Hop groups of all time. Eminem would make my 10 greatest MCs list. 3 of Hip-Hop’s most talented and innovative music producers are from my home state, Virginia! (Timbaland, Pharrell & Chad Hugo).

Hip-Hop wouldn’t exist if it wasn’t for New York and the spread of the culture throughout the east coast. But Hip-Hop wouldn’t continue to thrive if it wasn’t for the interpretation and adaptation that developed and continue to grow in areas outside of New York and the east coast.

There’s a saying in real estate that simply states: “All real estate is local”. Well, I think that can be applied to Hip-Hop music now. Critics want to say that Hip-Hop’s popularity is fading and that its dominance is over. But record sales don’t gauge the strength of a subculture. The spread of Hip-Hop all over the world will ensure that it continues to thrive in spite of Soundscan numbers. Local artists are able to distribute their music quite well without media hype or promotion from major labels. Those who live and embrace the culture will keep Hip-Hop alive. Corporate takeover will ultimately ruin a Hip-Hop anyway. The passion millions have for Hip-Hop will keep it thriving even if the profits began drying up and the opportunists abandon it to look for another movement to exploit.

Duane L. Lawton is a writer and avid Hip-Hop fan (especially Hip-Hop from the Golden Era). He lives in the Washington D.C. metro area. Visit DuaneLawton.com DuaneLawton.com

Last Night in Tokyo [A Harsh Romance--July 1999]

Saturday, September 29th, 2007

During an interview I was once asked: “If you were to die tomorrow, would you have any regrets Mr. Siluk?” And I answered, “Only one sir.” And he asked “…yes, and what would that be?” And I answered, “If only the world could have be bigger.“ [A remembrance.] D.L. Siluk

Advance: Under the best of circumstances, you always think things will turn out right, somewhere further down the road that is. I suppose it is just a natural thing; I mean we can’t live on negativism, now can we. But change the environment a little, especially cultural environments, in my case go to where your mates surroundings are [Japan] and see what changes what, things are not always the same way then; the answer my rest in: can you adjust or can she, and there is always a they involved someplace. In my case Kikue could adjust in the United States, and with my friends and family, but I’m getting ahead of myself, let me start from the beginning, somewhat.

My lady friend met me in Istanbul, Turkey, and we wrote letters for two years, then we met in person when she visited me in the United States for another two years—off and on (for a week first, then two weeks, then three weeks), and then I went to Japan, her turf, and things changed. Thus, the relationship went on this way for, four years. In-between I learned how to write Japanese in all its three styles, quite well: an achievement in itself.

Kikue: she is Japanese, a small woman, with short black hair, fair looking, sincere, and she became a Christian Buddhist, from a Buddha Buddhist, during our dating period. So we both achieved something out of this relationship, if not wisdom and some good times, along with a wobbly friendship.

I suppose if we all could see down the road of life, we’d not venture down it perhaps: maybe it is a bigger gift from God than we give Him credit for. This story I’m about to tell you has a few life lessons in it for me. On one hand, it was nice relationship between us, on the other, thank God I had enough insight to step away from it when I saw, felt instinctively I had to; consequently, I acted on my instincts; a harsh decision but it was turning into a harsh relationship. I firmly believe we are given certain natural traits, mental, neurological, and instinctive, whatever they are, they tell you which way to move I also believe you should trust them.

In this story you are about to read, you are going to get the end in the beginning because to me, it is only the six days in Japan that count in this ongoing, four year relationship, and the last day in Tokyo, that made the difference; I mean that really matters in the long run. Had I not made the decision I did make, I did on the last day, I’d not be writing this story, as it is here; it might have had to be named different, and I’d have had to add a lot more adjectives to the story. Nobody is to blame for this, not me, not the other person involved. I’m sure she’s better off, for the ending that occurred.

The story starts off in July 1999, I’m about to leave Minnesota, flying into San Francisco, and over to Japan. This is really a story that is extended beyond Japan, for after I leave Japan, I will go to Guam, Bali, and Java, then back again through Japan to go home to St. Paul, Minnesota (halfway around the world). But again I say it is Japan I am speaking of for the most part.

Chapter one: Tokyo, Day One and Two

Tokyo: home to eight million people, of its 130-million residents [1999]; there is a lot of energy in Tokyo, and the very young seem to have control of it. I wanted to get a massage the first day I walked about the city’s sidewalk, ten-minutes for ten dollars, but I couldn’t, it was so busy, with people jumping off the trains, eating lunch, standing in lines to get a massage, and back to work, just watching the activity tired me out. Matter-of-fact, they even have punching bags in the gyms, usually in the lower levels of the buildings, in some employment places to get your anger out, instead of getting it out on your boss: a different world indeed.

Kikue had taken me from the airport to have dinner at a nice restaurant someplace in Tokyo, then we met her sister, whom was fighting with her about having me over in Japan, and staying with me overnight, and wanting to marry me; the fight went on in the hallway by three café’s, and the train station not far from sight; for two hours they fought, and left me pace in circles, and told me to just wait and be patient, and get away from them. I think she wanted her to marry a Japanese man, as I’d find out later her whole family was against me marrying a Japanese, none of them made me feel welcome.

Then we headed to our hotel, a kind of apartment, where you had to provide your own linens, pots and pans. There we’d stay for two days. And as we left the building the following morning day-two, all I really wanted to do was walk the streets a bit, see what Tokyo was like. I was hungry, and we looked in a few stores on the way to the bus, and got some candy, coke and a sandwich out of vending machines along the way; they are everywhere. And so that is what we did as soon as we went from the airport, on to several trains to get to our apartment, had a good sleep and found ourselves in day two.

As the day progressed on day two, people were very kind to me, matter-of-fact, I didn’t seem to think they even saw me; they were too busy going here and there. I would find out by the end of this first day the system of the trains, which you had to hang on for dear life to the loops hanging down overhead, if indeed you were lucky, you’d get a seat. I can’t figure it out, but half the folks on the train were sleeping, and when their stop came, they woke up from the dead: they were on automatic recall.

We’d have to take a bus later on, and then a taxi to her girlfriends house, where she gave me a session of acupuncture, free of charge, and when I got back on the train thereafter, I collapsed on the floor. My whole body was limp like a noodle. Thus, that would end my acupuncture days.

It was a nice month to be in Japan though, it was July, and it was summer, and it was hot. Tami was where we’d go the second day, where most of her family lived, in the afternoon that is. And so after a stroll downtown, we caught another train to Tami.

Day Two

In the afternoon of Day two, I met the whole family at a nice restaurant, and got the third degree: “Why do you want to marry my daughter?” Her mother asked. Her sister next to me asked, “Do you really love her or is she just a thing for you?” This interrogation went on for two hours one voice after the other, there were about ten folks present representing the core of her family, and then I broke down and put my hands on the table and pounded lightly saying, “You people are very rude to me, and I’m through answering questions.”

I pardoned myself, and went to the bathroom. And that was that. Now we were equally in frustration. Kikue didn’t say all that much. But from the phone calls I made to her from Minnesota to Japan [in the last part of the year], the father slamming the phone down, as well as the mother, I came back and let them know they were double rude for the insults over the phone as well. They did apologize for that, and was a bit embarrassed that I brought it up. But it was over as far as I figured, over now that is. I had dreaded this moment, knew it was coming, but couldn’t avoid it; I’m not sure how Kikue took it, she was quite passive during the ordeal.

That evening she took me to her place of work, the hospital, and I found out the cab was a dollar a block. Tami city was a new looking city to me, very clean, too clean, almost as if it was not even lived in. But we had time that evening to go to an art show, where her sister had her art exhibited. It was mostly of flower-patterned items well done but not my cup of tea. She was kind enough to give me one.

In the morning we had things to do, and buses to take, and trains to catch, but she wanted me to meet her friends [women] at a small gift shop one owned by her friend, and so I did, we all four then sat at a cozy table by a garden and a glass window separating the garden from us, and had coffee and crackers. Again the Japanese can be good hosts, just make sure the family is ok with mixed blood. I purchased some postcards, and then we had to get back to our apartment, and on our way to Kyoto.

Chapter Two: Day Three and Four
[Kyoto: Nanzen-ji Ginkaku-ji Gion]

Of all the cities I was in while in Japan, which were perhaps several, Kyoto was my favorite. Before we left Tokyo, we stopped in at Chofu, at the Jindaiji Temple— actually we visited several temples, and a Japanese castle Japanese Castle in Nogoya, where we went to the international sumo tournament; but here at this temple the pigeons seem to like me, and flew around me like mosquitoes. From here we went on to Nogoya.

Sumo wresting, or this international tournament we attended cost $500 a seat, and we sat in the third tier, 9th row. Nothing is cheap in Japan, and everything is different perhaps that is what you are paying for. Sumo wrestling is like soccer is in Peru, or baseball in America, number one sport.
I really enjoyed it, and we stayed to the very end, and I got to meet a few of the wrestlers. From there we went to the Castle, got a little lost, and found our way to the bus, no trains from here on in, to Kyoto.

Kyoto: Nanzen-ji; Ginkaku-ji; Gion

Of all the temples in Japan, this one was the most impressive by far, Sanmon (Mountain Gate) of Nanzen-ji. Here, on the site where the temple was rebuilt, taken from an old site was an ancient Nanzen-ji Viaduct, again most impressive, with its many arches underneath it.

In Gion, there is a red temple known as Yasaka-jinja (Gion):
not as impressive as Nanzen-ji, but inspiring nonetheless. And once walking down Gion, you see its many Yasaka-jinja Lanterns, again extraordinary; this whole area, city and all was unusual, as was the Yasakano Pagoda, I saw from a distance. I wanted to see it closer and so the taxi drove by it, but we didn’t have time to get out and explore the Japanese Tower.

It was late afternoon when we arrived in Kyoto, and we went right to a temple, and on to our sleeping arrangements, a Ryokan Inn. I wanted to see the Geon district and a Geisha badly, but I’d have to wait until tomorrow.

The Ryokan; a cobblestone alleyway led to this small [guesthouse, house, or inn of sorts], in Japan, it is called a Ryokan, with sliding doors the room is clean, uncomplicated, a table with cushions a hanging scroll as a centerpiece. No swimming pool or weight room, not anything like the five start hotels in New York City; we had reservations, not sure if we needed them. I would call their room minimalism, but its simplicity was beautiful and different, even the sound of the sliding doors made me feel like I was in Asia. They had even a place for my shoes, while I put on wooden sandals. Strange I thought, but cool. Kikue made all the arrangements. Some of these simple rooms cost up to $800 a night. The Ryokan date back to 1603 AD [the Edo period]; by tradition these are called Inn’s, and come in all sizes, mine was small, original wooden inn authentic I would say.

We stayed two days in the Ryokan, and used that as a steppingstone to other activities throughout the area. Meeting with Kikue’s girlfriend in Kyoto, and going to the temple, Lunch for $100, and to the Geon District. Lunch was an assortment of foods, all Japanese cuisine that never got me full.

The aqueduct at the temple site was most impressive. But again I wanted to see Geon, and after lunch we all went there, and the girlfriend parted with us, having to go back to work. Kikue and I walked up and down the streets. We then went into one of the Geisha guesthouses, and an older Geisha gave us a tour of the place: most kind she was. And as we left I met a Geisha, a lovely young women, I seen her again in six months, in a book someone would write about Geisha’s, a small world isn’t it. Kikue was a little disturbed I wanted to have this experience, but then she overlooked it. After dinner we went to the Tower of Kyoto, it was closed but I snuck all the way up, via, the stairway to the top. Then back down again.

That night we had a fight on the streets of Kyoto, after dinner at a Chinese Restaurant and I had some resistance to g back into the Ryokan but I did after walking up and down the cobblestone street trying to get my composure back, there was, it seemed, a lot of little things bothering both of us.

In the cozy little Inn, someone left the door open to their room, and it was hard not to look in as I passed by glanced in, and here they were, humping away like two camels; making love (Girl and boy) like there was no tomorrow, on a black rolled out whatever on the hard wooden floor; I stopped looked for a minute, and they were as white on rice, doggie style, and they looked at me looking at them, and they smiled. I caught my breath, and put myself in second gear to get moving, as they motioned me to join them, and I found my room quickly which was next to theirs: and had to listen to some moans and groans and I celebrated with them, via, through the walls.

The following morning, day five we had to go back to Tokyo, but had to make a stop on the way. At the train stop, I had an episode, I have MS, and so my spine acted up, it was very painful, and so I laid down on one of the benches, while Kikue rubbed my back. It looked a bit weird, but it did the trick.

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com

Intelliflix Online DVD Rental Service Review

Saturday, September 29th, 2007

Everybody enjoys watching movies, but who wants to hassle with going into the movie store to rent them? Intelliflix offers a great way to rent movies and games online! Intelliflix is just like NetFlix and Blockbuster Total Access, but less expensive and they offer online game rentals and Adult Titles as well!

I love going online and adding the movies and games I want to rent to my list, and there are so many to choose from! They have everything from new release movies and shows, all the way to adult entertainment films! With excellent reviews Intelliflix makes it is easy to choose what you want. They also have tons of games to rent for Sony Playstation and Nintendo Gamecube. There are never any extra charges or fees and you can keep them for as long as you want! Intelliflix has the lowest priced plans of any other online DVD rental service with nearly the same selection. And best of all you can use the “Coming Back″ feature, which tells Intelliflix that you’ve sent back your last movie or game and they send out your new ones immediately.

This means you don’t have to wait until they receive your old ones to get the new DVDs on your list. This makes the turn-around time only a day or two so you will always have great movies at home waiting for you. Intelliflix also offers yearly packages, which allow you to save loads of money on your subscription. Intelliflix has made it really easy to rent DVDs online. Unfortunately, Intelliflix does not offer a free trial like Blockbuster Total Access or Netflix, but that is because their prices are already so low that they could not afford to give away free trials. You can cancel at any time, so what do you have to loose? I highly recommend Intelliflix if you are looking to save some money on your online DVD rental service.

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My Favorite Top 10 Stage Comedians

Saturday, September 29th, 2007

There are so many different styles of comedy and everyone has their own, at least the ones that stand out do. You have the standard monologists that stand with a microphone and use words to craft their humor, musical type acts that either use instruments or sing and have musical accompaniment, prop acts that use visual aids to make the crowds laugh and improvisational acts that do comedy off the cuff. They are all great in their respective ways and I will not begin to categorize each and every style here. I will simply go through many stage performing comics and state why they are my favorites and then try to put it in a Top 10 list. There may even be some on here that you never heard of….yet! But that doesn’t mean that they aren’t amazingly funny. It just means that they aren’t a household name. There are thousands of great comedians out there performing all the time on the world stage that haven’t been discovered yet and just because you are great, it does not preclude that you will be a star.

So here we go: Robin Williams is a terrific example of comedy that has no boundaries. High energy and uninhibited with a flair for the dramatic and with a good percentage of improvisation thrown in. Jerry Seinfeld is a monologist that uses very well crafted words and sentences in observations on topics that everyone can relate to. Nothing comes out of his mouth that isn’t carefully thought out beforehand. Richard Pryor was one of a kind when it came to stand up. You never knew what he was going to say but you knew sure as hell that it was going to be delivered in his irreverent style and that you were gonna laugh your ass off! George Carlin is the best of both worlds. He is a monologist, a wordsmith and his facial expressions are to die for. He is very animated in his approach and you can’t help but get caught up in the show. Brian Regan also fits the same style of monology with animated goofy facial expressions. His material is all very relatable and makes him one of the most enjoyable acts working the circuit today. Howie Mandel is one of the best ad-libers in the business today. His wit and likability is flawless and when he first appeared on the scene in the late 70’s would sometimes work in props to add to the experience. The Amazing Jonathan, like Howie, uses the audience to make a ‘no two shows the same’ kind of atmosphere. He uses props as aids and sort of does magic in a unique way. Steven Wright has a classic style. He uses well thought out and creative observational humor and puts it all in a very deadpan and deliberate delivery with his very own slant on things. I remember working with Steve at the old Improv in NYC. He was about to go on and looked very introspective and I asked him if he was okay. He looked up and in his low key voice said, “I’m very hyper.” He kills me. Bill Cosby is the classic storyteller. No one can deliver them like he does. The best thing is that no matter how long the story is, you never get bored listening to him tell it. Great style and many have been influenced by him over the years. Victor Borge was definitely a master musical comedian. He started as a classical pianist, who later evolved into a consumate comedian. Known as ‘The Great Dane’, he surely was and is terribly missed. Otto and George is a Triple X rated ventriloquist that is very dirty and hysterically funny. He is one of a kind and one act that I absolutely love to watch when I am off and can get to a show. He makes me hurt from laughter. You never know what Otto is going to make George say. Sam Kinison was a comedian with a very irreverent style as Pryor was.

You never knew what topic he was going to rant about but you knew he was going to attack it with full force. A great, loud and funny stage persona. Jay Leno is a fantastic monologist. Don’t go by what you see on The Tonight Show either because that is written material that has to be put together quickly by a staff of writers all of the time. Go see his live show and you will see the real Jay Leno. Like Seinfeld, he uses carefully crafted words to construct a very visual image for the audience to imagine. Abbott & Costello were one of the best comedy teams of all time. As I mentioned in other articles, they had the unique ability to mix cerebral material and slapstick together as one and present it in one of the most enjoyable presentations you could ever see. Don Rickels is a great crowd working comedian that uses the audience for his humor.

He breaks down all stereotypes and barriers and makes people realize that in the end we are the same. And even though his stage persona may come across as insulting in a comedy way, you know that in his soul he is a sweet, genuine and a very nice man. He is all those things. Martin & Lewis were a great comedy team that mixed slapstick with music. Dean had a great, warm and loving personality on stage and Jerry was the hyper wild kid that might do just about anything for the laugh. They were the show to see in the 50’s and well worth any price of admission. For my honorable mentions I would love to list Steve Martin, Jack Benny, Henny Youngman, Jim Carrey, Monty Python, Burns & Allen, Red Skelton, Bob Nelson, Eddie Murphy, Dom Irerra, Richard Jeni, Bob Hope, Pudgie, Buddy Hackett, Pat Cooper, Danny Kaye, Woody Allen, Mel Brooks & Carl Reiner, Jackie Mason, Jeff Dunham, The Great Ballantine, Lisa Lampanelli, Rosie O’Donnell, Senor Wences, Foster Brooks, George Wallace, Lewis Black, Bobby Collins, Burns & Schreiber, Phyllis Diller, Patti Rosborough, Greg Hahn, Alan Stephen, Dennis Blair, Carrot Top, Pee Wee Herman (Paul Reubens), Jackie Vernon, Charlie Callas, Larry David, Nick Di Paolo, Denis Leary and Allen & Rossi. So here we go: My Top 10 List Of Favorite Stage Comedians

1. Abbott & Costello

2. Martin &amp Lewis

3. Robin Williams

4. Otto &amp George

5. Richard Pryor

6. George Carlin

7. Bill Cosby

8. Howie Mandel

9. The Amazing Jonathan

10. Jerry Seinfeld, Jay Leno & Brian Regan (Tied for 10th) That’s it for my Favorites List. Believe me, that was difficult for me to do. Being a comedian myself for so long it is obvious that I have been heavily influenced by the genre and there is just so many acts that I have loved to watch in my life. For me to mention them all would take entirely too long. If you have any favorites that I haven’t mentioned, let me know because I might have forgotten a few myself. Once again, thanks for reading, from THE COMEDY TORNADO!!

comedytornado.com comedytornado.com

A Brief History Of Renaissance Music - Part 1

Saturday, September 29th, 2007

The compositions of Palestrina, and the reforms he was able to effect in Church music, may be said to mark the culmination of the early ages of Christian musical art. We have now come to an important turning point in musical history, but before going further, it will be useful to take a rapid survey of the period we are leaving behind.

The great outstanding feature of musical history is the tremendous influence on music art by the Church. In the early ages of musical history, knowledge was almost exclusively the property of the Church, and many centuries passed before musical art began to separate from the Churches influence.

In music, this religious influence was stronger than in any other department of art or letters. With the institution of the Church modes, music was separated from the other concerns of life. Just as literature and science had Latin for their special language. What we might call art music had its own code of expression in the Church modes.

From the time of the earliest enactments concerning Church music, the limits within which any composition must be kept were very clearly defined. The nature of the restrictions thus placed upon composers is illustrated by the following extract from Dr. Hubert Parry’s Art of Music:-

“As each complete piece of music was subject to the rule of some special mode, all the sentiments were restricted by its characteristics. If it was what a modern musician would call minor in character, the musical expression for the “Gloria” had to be got out of it as much as that for the “Miserere”. And though the use of accidentals modified modal restrictions to a certain extent, it was not sufficient to obviate the fact that in detail a piece of music had to follow the rule and character of the mode, rather than the sentiment of the words.”

Thus far, history displays the progress of music within these limitations. We see its development in the advance from the earliest forms of Christian hymnology. Through the crude attempts at part writing of Hucbald and his successors.

The constantly increasing acquirements of the different schools, to the works of Palestrina and his contemporaries, in which we have the scholarship of the greater among the Netherland masters combined with that innate melodiousness peculiar to the Italian in all ages. With Palestrina, we see music perfect and beautiful in some few things, largely, because so many other things were shut out from its reach.

We come now to a period when the barriers surrounding music were to be broken down, and when musicians, tired of being the limited by purely religious compositions and trapped by the requirements of the Church modes, turned from somewhat monotonous beauty within a limited area, to grapple with fresh problems in a wider field.

The period, which we have now to consider may, for the sake of convenience, is styled that of the Renaissance. It is true that, chronologically, this musical Renaissance does not quite tally with the Renaissance proper but still, inasmuch as we have to deal with the fundamental principles of Renaissance art, manifesting themselves in music at a time later than in painting, sculpture, architecture, or literature, the term is apt enough.

The Renaissance was that intellectual movement or impulse, generated in Europe through the dissemination of the treasures of classical literature by savants and philosophers. Greeks for the most part, and subjects of the Byzantine empire, who fled from Constantinople when that city, the last stronghold of the Caesars, and refuge of the learning of the ancient world, was sacked by its Mohammedan conquerors in 1453, and with the Emperor Constantine Palaeologus, the long line of the Emperors of the East came to an end.

The first country with which these refugees visited in their travel westward was Italy, where the Renaissance movement had its origin.

Michael David Shaw is a musician and music teacher. He plays piano, organ and keyboard. You can find lots of music related items including tuition books, sheet music and e-Books on his websites. For more info visit

Some Assembly Required

Friday, September 28th, 2007

Sometimes as an adult, I think back to those early Christmases with a strange longing. As much as I love giving, it’s always nice to wake up Christmas morning and be greeted with something you really wanted. As I watch my fourteen year old sister-in-law greet Christmas morning deflated, I remember how much joy I got (or didn’t get) from the new pairs of underwear (fancy, but hey, they’re underwear!) or the sweaters I started getting instead of toys each year. It was right around the same time period that I discovered the joy of playing Santa, and rediscover the meaning of Christmas.

My brother was born when I was eleven, so I had quite a jump start on him. When he was three or so, my sister and I were invited to stay up and help our then-single mom put together his Santa Claus presents together. She was anticipating a difficult night, having purchased a tricycle and a push-pedal firetruck, so she wanted all the hands she could get, I guess.

We decided that the fire truck would be the most difficult of the two – after all, how complicated can it be to put together a tricycle? So we pulled out all the odds and ends and began construction. Surprisingly, the fire truck came with fantastic instructions, clearly written and with (correctly drawn) pictures of each piece for easier matching. At the most, it took us an hour to put together, but I honestly believe it was closer to thirty minutes. Keep in mind this took place at about one in the morning, and you can see the three of us were cheered – bed was in sight!

My mom pulled out the directions for the tricycle as my sister and I lay the pieces on the floor. We had a Phillips head screwdriver, all that the truck required, so we figured we were all set. Mom read the first step, and my sister ran off in search of a regular screwdriver. Step 2 had my mom scratching her head and us two girls trying to match up the (undrawn and poorly described) next piece needed. Step 3 involved a hammer (on a tricycle? Not what we were expecting!). By now an hour had passed and the tricycle was a pitiful pile of nothingness laid out on the floor. Tempers were getting frayed, and yawns were growing plentiful.

Then came the kicker. Step 4 was in another language. Not even Spanish, which I was studying in school and my mom had studied years before. Nope, it was something oriental, with little characters – Chinese, Japanese, Vietnamese, your guess is as good as mine. My mom scanned the rest of the instructions and in dismay realized that every two or three steps the directions changed from English to this obscure, unknown language, then continued right on in English!

At this point, my mom made the educated decision to chuck the instructions. “We’ll do it like a man,” she declared. I guessed that meant without directions. We pulled the box over and studied the picture, and began making educated guesses about what went where. We went to bed sometime around five that morning; my brother, of course, woke up by seven.

Amazingly enough, that tricycle never fell apart on him. Still, as I watched him jump for joy –literally – through a sleep-induced haze, I remember thinking yes, even this was worth it.

I have two children now, both under the age of three, and while I eagerly anticipate Christmas morning and the sparkle in their eyes, one thing is for sure:

They aren’t getting anything that requires assembly.

Now a mother of three, Nola Redd steers away from complicated toys as presents. She is an author on Writing.Com/ Writing.Com/
which is a site for Writing.Com/ Writing. You can view more of her fiction and nonfiction writing on Writing.Com/authors/scottiegaz Writing.Com/authors/scottiegaz.

Fine Art Printing

Friday, September 28th, 2007

Many artists are coming to understand the potential of the additional revenue potential in art reproduction. Once the original is gone, the buck stops there; there is no opportunity to generate income for the piece. Fine art printing has been around for centuries. It started with engraving copper plates (and other alloys) and creating a limited edition. Artists such as Max Klinger were true masters. The few prints that remain are valued at tens of thousands of dollars. There are many ways to reproduce art. the most common has been lithography. Plates are generated, covered with dyes and the inks are transfered to paper.

In the last 20 years a revolutionary technology has emerged with the advent of professional large format inkjet printers. The process to make high quality reproductions is commonly known as giclee.

These are some of the characteristics of giclee printing:

Setup is much cheaper for giclee than producing offset for litho printing (no plates need to be generated).

Quality is better than press both in resolution and color range.
Did you know giclee printing offers a much wider color gamut than traditional presses?

Much more variety of papers such as canvas and watercolor than press as giclee printing is not as fussy with substrates.

Different sizes can be printed on demand to accommodate the market.

While the latest Giclee printers use 6 or more colors, traditional printing is 4 colors: a lot of the pigments artists choose simply cannot be reproduced. The gamut (Range of colors reproduced) is higher with giclees. Manufacturers added extra pigments such as light cyan, light magenta, to increase chromatic rendition.

Regarding pigments, make sure that your giclee provider uses pigments and not dyes for printing. This is an essential component to insure lasting reproductions. Every printer has different characteristics: A measure of DPI (dots per inch) is often overrated as to the only measure of quality. There are 300 DPI professional machines capable of rendering artwork of a much higher quality than a consumer level printer rated at 720 or 1,440 DPI.

Ultimately, even with all the math and gamut graphs available, the true test is to observe a giclee next to the original. Use a lupe if one is available to discern any dot pattern.

One caveat: although giclee is vastly superior to offset, the limitation is the per unit cost and if tens of thousands of prints need to be made, lithography is much cheaper.

What many artists do is to create a limited edition giclee run and then mass produce posters on paper with lithography.

For more information on giclee please visit our allpconline.com fine art giclee printing site.

Fabio Braghi is the owner and printmaker of a allpconline.com Fine art giclee print company with over fifteen years of experience in digital imaging.