Archive for July, 2006

Ness Notes (CFB’s 2006 Coaching Carousel Part 2)

Monday, July 31st, 2006

Sunday’s notes continues my preview of CFB’s 2006 coaching carousel. Listed below are six of 2006’s new head coaches and the teams they’ll lead. See yesterday’s notes for the other five.

Kansas State (Ron Prince): Prince is just 36 years old and has never been a head coach at any level (Division I-A assistant these last five years). He was the OC at Virginia most recently and he’s known as a great recruiter. He’s got big shoes to fill, as Bill Snyder stepped down last year after a remarkable career at Manhattan.

Snyder took over arguably the worst program in the nation back in 1989 and then led the Wildcats to 11 straight bowl games from 1993 through 2003, contending for the national title in four seasons. However, the Wildcats have gone 4-7 and 5-6 these last two seasons, so Prince’s timing is pretty good. He’s got 17 returning starters and a quick look at the schedule shows his team could easily open 5-1.

The Wildcats open the year with four consecutive home games and get to play Illinois State, Florida Atlantic and Marshall in Manhattan before Louisville comes to town on September 30. They then open their Big-12 schedule with a visit to Baylor and another home game with Oklahoma State. Snyder didn’t lead the Wildcats to a bowl game until his fifth season at Kansas State but it’s likely Prince will do so in his first year at Manhattan.

Northwestern (Ryan Fitzgerald): Randy Walker was about to enter his eighth season as head coach of the Wildcats in 2006. His career record at Northwestern was just 37-46 (41-37-2 ATS) but he had led the Wildcats to three bowls during his first seven years in Evanston, including a Sun Bowl appearance last season against UCLA. The Wildcats had taken on one of the nation’s toughest schedules last year and still went 7-5. Even with the loss of QB Brett Basanez, a workable September schedule and 13 returning starters (including super sophomore RB Tyrell Sutton) made it likely the Wildcats would be bowl-eligible again this year.

Then came the sudden death of Walker and on July 7, the naming of 31-year-old Ryan Fitzgerald as the team’s new head coach. Fitzgerald was a star on the school’s two Big-10 title teams of the mid 90s and becomes the youngest coach in Division I-A this year. Who really knows how the program will react but as mentioned earlier, the Wildcats do an a chance to start fast. They open at Walker’s old school Miami-Ohio on August 31 and then play home games against New Hampshire and Eastern Michigan. If the team can settle on a QB by then, a Friday night visit to Reno to play Nevada (10-2 at home these last two years), is winnable.

The Big-10 schedule comes next, opening with road games at Penn State and Wisconsin. I’m not sure the team can match it’s 5-3 league mark of last year, so opening at least 3-1 (4-0 would be nice) is a must. It will be hard not to root for Fitzgerald and the Wildcats this year.

Rice (Todd Graham): Graham was the DC at Tulsa these last three years, working under Steve Kragthorpe. All Tulsa did in the last three years is go from seasons of 1-10 and 1-11 in 2001 and 2002 to 8-5 in ‘03 (bowl appearance) plus after a 4-8 year in ‘04, to 9-4 last year. Last year’s team won the C-USA title game and the Liberty Bowl, 31-24 over Fresno State. Graham takes over for Ken Hatfield, who produced just three winning seasons in 12 years.

Rice has some of the most stringent academic standards for its athletes of any Division I-A school, so it’s not surprising the school’s last bowl appearance came in 1961. Graham has brought in former Texas QB Major Applewhite as his OC and this run-oriented team will try to install a passing offense. Pass offenses with option personnel rarely work, so expect Rice to struggle this year. However, since the team went 1-10 (3-8 ATS) in 2005, things can’t get much worse.

Rice opens with cross-town rival Houston on September 2 and if the Owls lose that one (are 9-23 against the Cougars), they’ll likely open 0-4, at least. The Owls follow their season-opener with a trip to UCLA, a game with Texas at Reliant Stadium and a visit to Tallahassee to play Florida State. Rice has averaged more than 100 YPG through the air just two times since 2000, averaging 122 YPG in 2001 and a meager 103 YPG last year. This will take awhile.

San Diego State (Chuck Long): Long is best remembered for finishing a close second to Bo Jackson in the 1985 Heisman race. However, he’s spent the last 11 years as an assistant, first at Iowa (his alma mater) and recently at Oklahoma, where he was first the QB coach and then the team’s OC. He takes over for Tom Craft, who led the Aztecs to a 19-29 record these last four years (22-21-2 ATS). San Diego State last had a winning season in 1998, finishing 7-5 (including a 20-13 Las Vegas Bowl loss to North Carolina).

Long is a good hire for this underachieving program which is the only MWC team since the conference’s inception in 1999 that’s not gone to a bowl game. Lynell Hamilton (if healthy?) is a talented RB and QB O’Connell should get better under Long’s direction. The defense should be much better this year and last year’s team was better than its 5-7 mark (outscored conference foes by 22 points). It would be no surprise if the Aztecs were to make it to 7-5 in 2006.

Temple (Al Golden): While UVa’s OC Ron Prince takes over at Kansas State, its DC Al Golden, takes over the job at Temple (I’d rather be Ron!). Temple will again play as an independent, moving to the MAC in 2007. Temple is coming off a year in which it went 0-11 and got outscored by an average of 45-10 but the Owls actually went 5-6 ATS in 2005 (now that’s trick!). Bobby Wallace went 19-71 in his eight years at Temple, so Golden doesn’t exactly have big shoes to fill.

Consider this fact, Temple has not had a winning season in 15 years and has not even topped four wins in a season since 1990. This year’s schedule will again be tough but it can’t be any worse than last year’s, as nine of the team’s 11 opponents were bowl-eligible by season’s end. Temple averaged a pathetic 9.7 PPG on offense and allowed a dreadful 45.3 PPG on defense. I guess the good news is that only two starters return on the defensive side of the ball.

Temple visits Buffalo (see Buffalo write-up in Part 1) to open the season on August 31 and if the Owls don’t win there, the next best chance at a win won’t come until a home game with Kent State (1-10 in 2005) on October 7. Wins should be few (and possibly far between) in 2006 but there may be a couple of wins for Golden in his first year.

Wisconsin (Brett Bielema): Like Prince at Kansa State (Bill Snyder), Bielema takes over at Wisconsin for the school’s most successful head coach, Barry Alaverz. If not for the sudden hiring of Fitzgerald at Northwestern, Bielema (at 36 years-old), would have the youngest Big-10 coach this season, by 15 years!

Alvarez led the Badgers to 11 bowls in his 17 years, going 8-3 in those games and 118-73-4 in his tenure. Bielema is his hand-picked successor and while he’ll have an experienced defense back, the offense loses eight starters from a squad that averaged a school-record 34.3 PPG in 2005. Brain Calhoun is the biggest loss (1636 rushing yards / 571 receiving yards / 24 TDs) but QB John Stocco is back.

Wisconsin needs to start fast, opening with Bowling Green in Cleveland on September 2 (LY’s score was 56-42 Wisconsin!) and then home to Western Michigan plus San Diego State. The Badgers open Big-10 play with a road game at Michigan but then play at Indiana plus home to Northwestern and Minnesota. It would come as no surprise if the Badgers start 5-1 this year. Wisconsin won′t win 10 games like last year but a winning record and a bowl bid is likely.

Ness Notes is available Monday through Friday by 1:00 ET.

Larry Ness is a documented member of the Professional Handicappers League.
Read all of his articles at procappers.com/Larry_Ness.htm procappers.com/Larry_Ness.htm

Blackjack for Beginners

Monday, July 31st, 2006

‘Blackjack’ is one of the oldest games played in United States of America. Generally it is believed that the game got its name from the manner in which it is played. When a player had a jack along with an ace of spade in the first hand, the player was paid extra money. So, in this game the black spades are as crucial as jacks. From this it was termed as ‘Blackjack’. The origination of the game can be traced back to world war I, when the game was quite popular among the troops since it had the benefit to be played at any time and anywhere. Now the game has entered all the casinos and has a huge fan following. Blackjack beat Faro is largely adored and played in the casinos of Las Vegas and Reno.

The Game-

This game is played by more than a few players on a horseshoe kind of table. The base player is the one who is at the end to the dealer’s right. The initial step will be the shuffling of the cards by the dealer. Later you are supposed to cut the cards with a card sized piece of plastic by sliding it between the deck of cards. The dealer will lift the cards above the plastic along with the plastic to place them below the deck. A cautious eye at the placement activity of dealer will be helpful in the game. Next, the top card is set aside by the dealer in order to avoid any kind of cheating in the game. This is known as the burning of the card. This is followed by the dealer’s putting a colored card at about the third way from the bottom of the deck and placement of another card at the last place i.e. at the bottom of the deck.

If the table is full, it signifies an already commenced game. You ask for the chips to play the game and make a bet, which should match at least the minimum bet for the game. Its at the player’s discretion to decide if he wants to with big or small bets and the table accordingly. The dealer deals each player a card face up. The final card that the dealer receives is face down and is known as the ‘hole card’. Then each player is given a face up card as his second card. The value of this second card is the measure to decide whether to take further cards or not. After all players complete their hands ultimately the dealer selects the dealer card for completing the dealer’s hand.

The winner-

The person who is crowned as the winner is the one who has a higher total than the dealer without braking 21. In other words, he comes closest to 21 without exceeding or lagging behind too much. The stand off situation is that when the player and the dealer have the same total and so there is no winner and so no loser.

When you bet, keep this strategy in mind that you have to get 21 on your first two cards. There are various pay off ratios like 2:3 etc. at different casinos. Similarly there are other features attached to the betting process like ‘insurance’ etc. It is advisable to have a prior knowledge of the rules of the game and its betting strategies.

Move into and explore the world of Blackjack…only as game for fun and not as an addiction.

Suresh Gupta writes about how2winatblackjack.com blackjack topics.

Mythology and Parables in Modern Communication - Part 3

Monday, July 31st, 2006

Our Self is the true center of our being and the place from which our individual truth emanates. It’s where we can come to know our passions, our place in the world, our purpose and our destiny. Without our Self we truly have nothing, except the reference structures around us which are now crumbling. Yes, crumbling! The evidence is there; we see it every day in the media. To clarify, crumbling here does not mean total disintegration, although some would argue that is indeed the case. To me it means a rather serious Reshuffling.

The signs or symbols that define this rising Era are the Self at the center of the personality and the Soul as its Spiritual counterpart. Ego now belongs to the dying era that we are leaving behind. Self and Soul are inextricably intertwined. They are one and the same at a fundamental level – like Particle and Wave in Physics, which both describe the electron. Self and Soul are the same because they come from our Divine Nature which, by the way, does not reside anywhere but inside of Us. You, We, I, are the source of our Being and the home for this Divinity. You, We, I, are God, incarnate in a body.

Now, if I say to you - Trust Your Self! Believe in Your Self! Be Your Self! – can you in any way go wrong? Can you say – He’s lying, I shouldn’t trust myself? Can you say – I can’t trust him because he’s telling me to trust me? We could go on with more examples, but you can already see that this argument becomes absurd. Trusting your Self and connecting with your Soul are essential to being who you are. And from that perspective, they cannot be questioned. Because, if you can’t trust your Self and you can’t believe in your Soul, then nothing you believe in has value!

Here is the inherent beauty of Myth. Whether it’s a story or a parable, their simple truth is undeniable, unmistakable, because they point to You; they are a mirror to You. You are free to use them or not, to agree or not. They are not dictates, they are reference points. Parables are also Myths by the way, teaching tools in much the same way. They were the counterpart to Myths during Christ’s era. Today, movies, books, television and music tell the stories that men and women on hilltops used to recite so long ago. Yes, Parables or Myths are still being told to us today.

Alright, so back to “Trust Yourself” now, what does that mean? It means: Feel what your feel; Speak your truth; Acknowledge your mistakes; Do your very best; Pray for guidance; and LISTEN! Yes, Listen to that guidance that bubbles up from within you, from your Heart, or Feeling Center. There it is in action – your Feelings; your Inner Guidance; the I Am That I Am, all at work inside of you – to Give You the Truth about You!

How can you go wrong? You can’t.

How can you say no? You cannot.

How can you go forward? Right Now!

With hope, determination and clear-headedness, you can activate that Power that is Yours. So you can be true to You, which is He, and bring forward those Gifts which are Yours to share with the World.

Now every once in a while, something happens in Life that can shake us up. For some, it could be a course of study. For others, it could be a movie, a life crisis, a particular song, a major loss, a trauma or similar challenge. A good crisis or major loss can be a great waker-upper. As an example, my own changes leading to the present began about 12 years ago, after my wife took ill with Multiple Sclerosis. I was scared and started listening more inwardly.

Until then I was a fairly traditional psychotherapist, plying my craft as I was trained to do. Mixing in some intuition with other guidance was part of my style and I got by. Then one day, after this crisis hit, I started writing. Actually, I felt compelled to write – stories, poetry, music, with a spiritual bent, a mythical flavor, a growth orientation. And these writings were all about the same thing – Knowing Your Self Being True to Your Self Waking up to Soul; Children’s Spirituality Song Lyrics and Reflections.

From these writings came my first book of Parables, then another, and another, until I had six manuscripts on this subject; and yes, song lyrics for about 125 songs to this point. Mythology, Spirituality and Personal Growth were now moving through me.

So what is trying to be born through you, friend? What are your gifts and passions telling you? Creativity is a challenge, but we’re all built to handle it. Our inherent design, as spiritual-physical beings, drives us to create. Watch children. They create without inhibition. It is their nature. Well it’s ours too. And we’ll resume this discussion in Part 4 and bring this course to a conclusion.

Maurice Turmel PHD is a Spiritual & Personal Growth Author and Songwriter. He was a practicing therapist for nearly 25 years. His blogs feature a collection of articles, reflections and stories as teaching tools. He is the author of the “The Voice,” a Spiritual Sci-Fi novel which is available at Amazon.com. His music is listed at cdbaby.com/turmeм cdbaby.com/turmeм Maurice is the host of the very popular Internet Radio Show “Rock My Soul Radio” which airs Thursday evenings at 9PM Pacific on bbsradio.com bbsradio.com station 1. Join him for news, commentary, interviews and meditations all designed to Help You Connect with Your Source! Archived shows are free to listen to at the radio show website.

Swords - So Simple, But So Many Terms To Know For A Weapon

Monday, July 31st, 2006

Blade construction varied over the years based on the material and technology used. In the early years of metallurgy, blades were short. The length was limited by the material used until such time as smithing technologies improved to increase the tensile strength of the material. Bronze was first turned into blades due to the lower smelting temperature and produced a better blade. Iron was next, which although softer, had ore material that was more readily available and therefore used to outfit entire armies.

Later the construction of the blade was altered yet further by introducing ‘fullers’. The ‘fuller’ was a ridge that ran down the center of the blade. This left a groove like structure that eliminated metal material and therefore made the blade lighter, but was able to maintain its’ strength, much like a steel I-beam used in construction.

The ‘ricasso’ was a short area of the blade immediately above the hilt on the blade side of the ‘cross guard’ which was not sharpened at all. This area was gripped by the finger for better tip control. Some blades did not have the ‘ricasso’. In some other instances however, the ‘ricasso’ was large enough for a hand to fit around it and was therefore wrapped in leather. The purpose was to allow the other hand to be used to better manipulate the blade, especially dealing with large swords such as the enormous German Zweihänder.

The ‘tang’ is the part of the blade that extends into the hilt under the grip. This is also the part of the blade to mark the manufacturers’ information. The ‘tang’ can be created as part of the blade, referred to as a ‘full’ tang. A ‘full-tang’ is preferable and was normally how blades were created anciently. This style of tang was necessary for durability in battle.

In some modern instances, to minimize manufacturing time and create a blade for display rather than actual use or authentic creation, a separate rod of steel or iron is welded to the blade and then the hilt is formed or fitted around it. This type of tang is referred to as the ‘rat tailed’ tang. This type of tang is structurally weaker and will most likely break off at the welding point if the Sword were to be put into action.

The curvature of the blade maintained an important feature of the sword. The curved radius of the blade was purposed to create a sawing effect on the battlefield, rather than simply delivering a heavy cut. By employing this feature the efficiency of the blade was improved and thereby reduced the amount of effort required to do the needed damage.

The curvature radius was altered and based on the country of origin. The middle eastern regions had a curvatures of radius closer to the hilt than those of their European counterparts, which accommodated the different battle techniques. The radius curvature was designed to be effective at the length that the warrior would use the weapon. So a longer curvature further away from the wielder, would be intended to be used at a longer distance.

Please visit Bret Borman at all-swords.com all-swords.com a resource site for information regarding all types of swords and weapons.

Magic Lines of Uli Art Style

Sunday, July 30th, 2006

Uli is an expression of the people’s capacity for creative design, which is firmly rooted in their myths and their experience of life in the past, present and future. At its best, it is an expression of their synthetic present, the epic of their search for a new order in the contemporary world. It is my traditional art style, which I have fallen in love with all over again and it is a privilege to share uli with you in my works. It has been shown that the knowledge of uli motifs and symbols and their application enables one to identify the traditional Igbo artifacts, giving validity to the people’s aesthetic intelligence and judgment. This culture is one of the first known cultures of the world in the recorded archeologically facts to have done bronze casting. (Igboukwu bronze).

Uli symbols may be said to show graphically how the organic forms grow outwards from the core of those elements to point, line, triangle, square and circle that are universal to the concentric circle at the periphery, which contains reflections of everyday world as seen by the artists. Just as the inner circle reflects the uncommon reality or ritual reality of the cultural existence, so the outer circle is in contact with the human and ecological reality, which it expresses.

Artistic activities at Enugu formed part of the early post-1960 independence developments in the country. There was the growing local and international popularity of Nigerian novelists, dramatists, poets, literary critics, architects, artists, and musicians, and scholars. Interesting collaborations took place among those in the literary performing, and visual arts, particularly in southern Nigeria. The efforts and artistic lives of these minds sowed a flourishing seed for an uncommon global harvest. I give thanks to God for these great minds, your outstanding contributions will not be forgotten.

Uli creations relied heavily on drawing skills whose content is based largely on Igbo culture, particularly female body and wall painting called uli and on Igbo tales, ceremonies, and beliefs. The revival of interest in uli through contemporary art had begun with Uche Okeke in the 1960s, when Nigeria’s independence produced a growing sense of freedom from colonial restraints on cultural tradition. It fully developed among teachers and students in the 1970s at the University in Nsukka and was linked to renewed interest in Igbo culture after the destructive Biafran War.

Traditional uli motifs, now rarely painted on human bodies or walls, have a strong linear, often curvilinear, quality. The art makes use of contrasts between positive and negative space, its images at times appearing as sky constellations. Uli’s lyrical qualities express harmony and brevity. It is art style that has often been created in freedom and spontaneity. “Uli is a pride heritage”. Uli motifs generally refer to images of everyday Igbo life, farm and cooking tools, pots, plants, birds, animals, the sun, the moon, and the kola nut, though some are pure design. For ceremonial occasions and important events, skilled Igbo female artists painted uli to add beauty to the human body and the walls of buildings and compounds. Uli has made her way in modern social settings; on sculptural surfaces and on paper, board, and canvas, framed and hung on walls in homes, institutions, and galleries of the world.

Magic of Uli Lines, which is an extended dot or a moving point, has very many possibilities, particularly, the quickly drawn one. My drawing explores the evocative and lyrical possibilities of line and derives from Uli. The Uli artist works spontaneously whether on the human body or the wall. There is no question of erasing or cleaning. There is something about the spontaneously executed work, a breathtaking vitality and freshness that defy description or repetition.

An analysis of Igbo drawing and painting reveals that space, line pattern, brevity and spontaneity seem to be the pillars on which the rich tradition and heritage rests. It is these unique qualities that I strive for, both intuitive and intellectually to assimilate in my work. Intuitively, because during my years of studying and looking at Igbo sculpture, drawing and painting, various aspects of design and recurrent motifs have become internalized in my system and inevitably surface unconsciously in the course of executing my aesthetic challenges. It is perhaps needless to add that the great works of art is a result of the harmonious marriage of intellect and intuition.

Chidi Okoye is an award winning sculptor, painter, poet and author whose impressive bodies of work have won the admiration of local and international art collectors. For his works and more information go to: modernartimages.com www.modernartimages.com or chidi.com www.chidi.com

Chidi Okoye’s profile visit: african-art.blogspot.com african-art.blogspot.com

Apart from being the artist of numerous sold-out limited editions Chidi’s works have won the admiration of local and international collectors. Among his long list of works in private and public collection are in Delta Airline Atlanta, Water Resources, Atlanta; Resurrection Life Center Montgomery Alabama; President office, University of British Columbia, Vancouver BC; Villa Benzi, Caerano, Italy Enugu State University Teaching Hospital, Abakaliki, Nigeria, Institute of Management and Technology, Enugu; Federal Polytechnic Oko, Nigeria; Mobil Producing Nigeria Head office Logos, Nigeria to mention a few.

Among His long list of solo and group exhibitions includes his most recent international group exhibition “ The Nelson Mandela Unity Series, World Economic Forum, January 26th 2005 in Davos, Switzerland.

“His paintings are noble, vivid, honest and poetic…” Diversity News, Seattle WA, USA.

“…A sculptor whose creative instincts are clearly channeled towards a reflection of both his contemporary and cultural heritage.” Daily Times, Nigeria.

Using Design To Improve Your Digital Photography

Sunday, July 30th, 2006

Did you know that one of the fundamental things that makes your photography work lines and shapes? One handy thing I did to teach myself about photography was to grab copies of magazines that feature architecture, advertising photos, portraits and sculpture and learn from what I was seeing.

Our composition is the placement of things in our digital photos. Lines and shapes are what give us our strength in our composition. So it makes sense to always examine your lines. Lines can mean how straight lines become curved, how curved lines become straight.

To demonstrate this point, think of a road running into the distance. You can emulate this strong composition in your every day photography by using this as a guide by the straight lines. In other words take the design of this type of photo and take shots that have featured lines too. You can start practicing using strong lines in your composition with every day objects such as knives and forks, paper, pens etc. Use the start of lines as main focal points.

It’s a good idea to look at professional photos to gain insight into your own photography. Even landscapes and beaches have beautiful lines and shapes you can study to improve your own photography. Portraits havesome great lines in shapes of human bodies too.

And the best design of all? The simple design with a main line that creates direction is the best. Keep it simple and you can’t go wrong.

Happy Shooting!

Amy Renfrey

Amy Renfrey is the author of two major successful ebooks “Digital Photography Success” and “Advanced Digital Photography”. She is a photographer and also teaches digital photography. Her educational ebooks takes the most complex photography terms and turns them into easy to understand language so that anyone, at any level of photography, can easily move to a semi-professional level of skill in just a very short time. She’s photographed many things from famous musicians (Drummers for Prince and Anastasia) to weddings and portraits of babies. Amy also teaches photography online to her students which can be found at DigitalPhotographySuccess.com DigitalPhotographySuccess.com

Betting the Red Sox

Sunday, July 30th, 2006

I can already here the Red Sox fans talking about the Curse of the Bambino again this year when the Yankees swoop in and take another AL East title away from Bean Town. Last season was a major disappointment for Boston fans as the curse was really acting up when the Red Sox fell to third place in the American League East finishing one game behind the Toronto Blue Jays and 11 back from New York. Most likely, the Red Sox will regain their traditional second place finish in the AL East as Toronto figures to take a major hit with the loss of Ted Lilly from their starting rotation.

The Red Sox do have the pitching to win the division with a rotation which includes Schilling, Beckett, Wakefield, Papelbon, and the highly-touted Matsuzaka from Japan. I don’t care how good people say this guy is. He will be facing some of the biggest bats in baseball in the American League this season. It will take him some time to adjust to the power in the American game. Ultimately, I see a hole in Boston’s seemingly flawless staff. Papelbon was a great closer for Boston last season, and I expect that he will eventually go back to that roll or this team could suffer. I don’t see him having near the success as a starter. And this will be a wrinkle that the Red Sox will have to work out.

As far as the offense goes, it’s Manny and Big Papi. Last season, Manny’s numbers took a dip as he played 22 less games than he did in 2005, and, consequently, so did Boston’s record. Ortiz once again brought his big bat to the plate in 2006. But this is a team which can’t afford to lose either of these guys for any substantial amount of time as they are the run producers. One through nine, it appears that the Yankees will once again have a more consistent lineup. Boston’s attempt to fix this is J.D. Drew. He is an often injured player whose passion has been questioned. I don’t think this guy will even have a chance in baseball-crazy Boston. The Boston fans could make the Yankee fans look like little girls with their A-Rod ridicules when they jump on Drew this season.

In 2006, the Red Sox were big money makers in interleague play going 16-2 against the National League. I expect this trend to continue as Boston’s pitching staff should have its way with most weaker hitting NL teams. Much like the Yankees, the Red Sox get quite a bit of betting action and they are often overvalued by the books, even on the road. Last season, the Red Sox were just 38-43 away from Fenway. We’ll continue to look for spots to bet against the Red Sox when they are showing little value as road favorites.

Jimmy Boyd is a documented member of the Professional Handicappers League.
Read all of his articles at

Timeline Of Mobile Suit Gundam

Sunday, July 30th, 2006

Eventually we all feel the need to start over. To try again. To take what we know and apply it in a new way. Clearly the guys and girls at Sunrise felt the same. After 4 TV shows, two movies and plenty of manga, they decided to start over. To take the Gundam franchise in a new direction, to draw in new fans as well as to give long time fans something new to enjoy.

And they did it again. And again. And again. And again.

All of these time lines are completely disjoint. Well, apart from… we’ll save that for later. Some of the time lines borrow elements from others, but they are their own self contained worlds with their own characters, history, politics and technology. So let’s have a look at these time lines and consider the TV shows, OVAs and movies within them.

Universal Century

All the original TV shows and movies, from the 1979 original, to the ’80s and early ’90s took place in this timeline. Closest to real life of any of the timelines, Universal Century tells the story of a time when humans have moved into space in huge colonies after polluting the Earth. All of Earth and the colonies, collectively known as the Earth Sphere are ruled by the cruel and selfish Earth Federation. Over time, numerous groups oppose the Federation, and the resulting wars form the basis of the various Gundam TV shows.

Chronology

UC 0079

MS IGLOO (2004, 2006) - 6 episode OVA
Mobile Suit Gundam (1979) - 43 episode TV show
Mobile Suit Gundam I, II, III (1981, 1982) - Three movies retelling Mobile Suit Gundam
Mobile Suit Gundam: The 08th MS Team (1996) - 12 episode OVA
Mobile Suit Gundam: The 08th MS Team Miller’s Report (1998) Movie retelling key events of 08th MS Team

UC 0080

Mobile Suit Gundam 0080: War in the Pocket (1989) - 6 episode OVA

UC 0083

Mobile Suit Gundam 0083: Stardust Memory (1991) - 13 episode OVA
Mobile Suit Gundam 0083: The Last Blitz of Zeon (1992) - Movie retelling Stardust Memory

UC 0087

Mobile Suit Zeta Gundam (1985) - 50 episode TV show
Mobile Suit Zeta Gundam: A New Translation I, II, III (2005, 2006) - Three movies retelling Mobile Suit Zeta Gundam

UC 0088

Mobile Suit Gundam Double Zeta (1986) -47 episode TV show

UC 0093

Mobile Suit Gundam: Char’s Counterattack (1988) - Movie

UC 0123

Mobile Suit Gundam ᮳ (1991) - Movie

UC 0153

Mobile Suit Victory Gundam (1993) - 51 episode TV show

Each of the Alternate Universe timelines offers a different take on the Gundam universe, from super robot fighting to a post-apocalyptic battle to live.

Future Century

Most of mankind have left the Earth in ruins to live in space. To decide who governs the Earth, the colonies take part in a Gundam Fight tournament every 4 years. Sending their nations prize fighter and immaculately designed Gundam to Earth to battle for supremacy.

FC 60

Mobile Fighter G Gundam (1994) - 49 episode TV show

After Colony

To counter overpopulation of the Earth humankind move into giant colonies. However the colonies are ruled by the tyrannous United Earth Sphere Alliance. After years of oppression and the assassination of the respected colony representative Heero Yuy, a small group of rebels decide to fight back.

AC 195

New Mobile Report Gundam Wing (1995) - 49 episode TV show

AC 196

New Mobile Report Gundam Wing (1997, 1998) - 3 episode OVA, later compiled into a movie

(Note: released in the US and Europe as Mobile Suit Gundam Wing)

After War

The Earth based Old Federation and their colony equivalent, the Space Revolution Army, fought a dreadful war that resulted in the dropping of hundreds of colonies onto Earth, causing a nuclear winter and killing the majority of the Earth’s population. How will a bunch of travelling scavengers survive in this post-apocalyptic world, and is the war really over?

AW 15

After War Gundam X

(Note: also known as New Mobile Century Gundam X)

Correct Century

Life in an early 20th century like Earth was pretty simple, until an army from the moon arrive, trying to find a new place for their people to live. With far more advanced technology, these Moonrace effortlessly counter any Earth Milita resistance, but following the discovery of a buried Mobile Suit everything changes. If there’s more to history than we know, perhaps Earth Milita might just be able to fight back.

CC 2345

Turn A Gundam (1999) - 50 episode TV show
Turn A Gundam: Earth Light and Moonlight Butterfly (2002) - two movies retelling Turn A Gundam

Cosmic Era

Humankind has evolved. Genetic engineering has given birth to Coordinators, humans with perfect genes. Persecuted by Naturals, humans who were not enhanced, the Coordinators are forced to move to space. Tensions were always high, but when a farming colony was destroyed my nuclear weapons, war is declared between the two races.

CE 71

Mobile Suit Gundam SEED (2002) - 50 episode TV series
Mobile Suit Gundam SEED Special Edition (2004) - 6 episode TV series retelling Gundam SEED

CE 73

Mobile Suit Gundam SEED DESTINY (2004) - 50 episode TV series
Mobile Suit Gundam SEED DESTINY Special Edition (2006) - 4 episode TV series retelling Gundam SEED DESTINY
Mobile Suit Gundam SEED C.E. 73 STARGAZER (2006) - 3 episode OVA

CE ??

Gundam SEED Movie (currently untitled) - Movie, release date unknown

Jonathan Allison is the founder of Angelain Corporation, designed to help show the whole world the way to true fulfilment my transcending insecurity and low self-esteem. Get involved at angelain.com angelain.com and let’s change the world. Visit his personal blog at jonathanallison.com jonathanallison.com.

Seabiscuit (DVD) Review

Saturday, July 29th, 2006

Nominated for seven Academy Awards including Best Picture, Seabiscuit is based on the inspirational true story of an underdog who rises to victory and wins the hearts and minds of a nation. Directed by Gary Ross, creator of such hit films as Big (1988), Dave (1993), and Pleasantville (1998), the film is a family-oriented form of entertainment guaranteed to spike your adrenaline level. With narration by two-time Pulitzer Prize winning author David McCullough, Seabiscuit combines the best of dramatic storytelling with the historical significance of a History Channel documentary. Based on the bestselling book by Laura Hillenbrand, it’s set in Depression-era America where an unorthodox racehorse named Seabiscuit captures the popular imagination of underdogs everywhere…

Seabiscuit follows the life of wealthy automobile magnate Charles Howard (Jeff Bridges) whose personal life disintegrates following the death of his son. Divorced, he meets his soul mate Marcela (Elizabeth Banks). The two get married, and Howard is soon infected with her love for horses. Searching for a new challenge, the Howards decide to purchase a racehorse. Immediately, Howard encounters Tom Smith (Chris Cooper), a man with an unusual talent for dealing with horses. Impressed with Tom’s expertise, Howard hires him to train a racehorse.

Letting Tom guide the search for the best horse, the two settle on Seabiscuit, a defiant and untamed free spirit dismissed by others as a lost cause. Soon thereafter, Howard hires the only jockey with the grit and moxie to handle Seabiscuit, Red Pollard (Tobey Maguire). With an undersized horse, an oversized jockey, and an unproven trainer, the three men combine to form the best race teams on the West Coast. In race after race, they capture the imagination of local thoroughbred racing aficionados. As the wins mount up, Howard decides to launch Seabiscuit on a cross country tour. His goal is to have Seabiscuit facedown the best racehorses on the East Coast, and one horse in particular – the undefeated reigning champion and Triple Crown winner, War Admiral.

Leveraging the media, Howard maneuvers to create a Seabiscuit/War Admiral one-on-one showdown. But as the race nears, injuries to both Seabiscuit and Red force both man and horse to overcome the greatest of odds. Reaching deep within, each must summon the courage to rise to their respective challenges. And what they achieve is nothing short of legendary…

An inspiring tale of unyielding perseverance and tremendous courage, Seabiscuit is certain to stir emotions in every viewer. Knowing the film is a catalogue of actual events forces the audience to its feet in fanatical support of characters who, like each of us, may not always be the best or fanciest specimen in the race, but nevertheless press on with a “never quit” attitude. A story that embodies the best and most noble qualities of the human spirit, Seabiscuit is great entertainment certain to be loved by idealists from age one to one-hundred and one…

About the Author

Britt Gillette is author of The DVD Report, a

The Headsman of Moiromma (Part #5 to “The Cataverous Planets”((SF))

Saturday, July 29th, 2006

5.

The
Headsman of
Moiromma

Uhluhtc, King of Moiromma

The secret is not that an alien race
has come to earth to visit us, it is in
that it dies on a sunless planet,
someplace in nowhere.

Nameless he was on earth but as he died, he reappeared on Moiromma—his home planet, at the end of the solar system, earths so called solar system. He knew dying was not death for him, rather a time for replacement. And he had died before, and always ended back up on Moiromma, eventually, normally. Almost as if it was a punishment, an end to an end, that never ended. A butcher on earth had killed him, chopped his body up, and sold his meat portions and, oh yew, if you didn’t read about it in the newspapers, then it is just as good you didn’t, it was a mess.

Uhluhtc was back, back home on his frozen and sparsely red-rock planet. The real name for his planet was after a god that had won, or was given the planet to him from his brothers eons ago, called Rahsna as the story goes, it lead into a fight, but that’s another story, the planet was what earthlings would call ‘Ice Death,’ but really it was Moiromma, after a king and a queen of the planet, when it was not Ice Death; it was as he remembered it, the sun barely reflected its rays, on this desolated island planet, and when it did all the inhabitants would come out of their abodes for its moment of grandeur, as the sun stood still. Yes, one would absorb its rays, hues, but only small light of warmth could you expect the rest of the time the sky was a fearsome awe, a world that had a death shadow over it, a canopy of sorts (except for a few months out of the year when it was hidden behind Cibara [a planetoid]; its own phantom like pale terrain; wherewith, it nullified everything and everybody; a planet with little horizon.

Now was his chore to let the Pack know he arrived back: should the Pack even exist anymore. As he stood there, all seven feet, four-hundred pounds of him, he stared into the night, the cold awful night sky of his planet. The planet Pluto was a distance away, he visited that particular planet a few times; it was more like a moon he thought. He could see it now, barely, but see it he could. It was on one hand, sheer refreshment and stimulation in seeing it, after forty years on earth’s egg-shaped planet although he got to liking it, especially the changing of season of it it was always to his dismay though he had to hide from its inhabitants.

Rigidity, he knew he couldn’t live on earth indefinitely, it was hideous trying to hide here and there and everywhere to avoid people, and then being in the gypsy circus: where people called him the pre-human the Neanderthal, the representation of a creature, a so-called creature from Mary Shelley’s book out recently called, “Frankenstein’, although in reality, he was much huger than such a creatures. That part of earth’s visit was disenchanting, it brought a gloom to his face when he recalled it, but he acquired much knowledge and experiences that would account for something he figured; all said and done, he needed to speculate in his need future, which he asked, where were his people, or the people of the planet, the Pack. When he had left here, left them, there were ten-thousand inhabitants.

That was it for the whole inhabited planet, not like earth with millions on it. Nonetheless, even though there was no birth on Moiromma, people did showed up, or come back, from a death they had on another plant. And they sometimes left behind their offspring (mixed blood, making them a hybrid for their planet), and then as they grew up, sometimes they’d show up on the planet years down the road; and within time no matter how they looked they become like them, once on the planet Moiromma that is; should they have Moiromma blood to start with also; yes, I repeat myself, they’d end up looking similar to the Moirommalit’s; a slow process, day after day and year after year, once on the planet of Moiromma.

What he did remember, and now was becoming clear in his mind was: he left the planet, his planet some forty years in the past now—it was foggy for awhile—just how long it had been, and he was the headsman, the man in charge of the Pack; yes, yes it was becoming clear, even its brutal moments. Surely he thought they must have found a new headmaster since his departure, whom would be the master warrior.

It was a windy day, forty years ago, when he went into combat with Nori Iron, a beast of a man. Taller and stronger then Uhluhtc, not more cleaver though, other than the odds being against him, he played with fate, a coldhearted game with Nori Iron that day and lost. From what he remembered, he had killed Nori Iron, with a sly blow to his heart, stopping it, and ripping it out, but during the process he was bit by Nori Iron’s sharp teeth into his jugular-vain in his neck, also killing him; hence, both fading into the morbid global-ice sheets of the planet.

Where Nori Iron went was beyond him. But normally they ended up back here somehow, somewhere, eventually. It was their way of life, fight to the death, and look for a death-kill. Sometimes upon their return they looked more ghostly than when they left, and sometimes more hideous looking than ever, as the earth people called them demons for their appearance, it was the price for resurrections, and body adjustments on other planets, it took it toll. It ripped at the character of the body, for its cell and neurological structure, biological chemistry, all had to adjust to its new surroundings, it was taxed you could say, that is why they did not commit suicide until absolutely necessary to get back to their home planet.

There was another side to why most of the planets inhabitants that were on other planets did not rush to get back home, it was a repugnant life on Moiromma, to say the least, and just knowing you’d end up back there time after time and have to fight the elements after being on earth in particular, was not a bright homecoming, as one can see at this point. No one hooting for you at the train station, for there was any trains or planes. It was like the Arctic. And the only thing to keep ones mind separated from this awful planet was to furnish stories that broke one’s imagination, thus swallowing one up so he did not have to face the reality of this arctic planet.

He could remember many stories of his clansmen coming back and sharing them. He wished he could have done as much. But who would want to hear about a planet that used him as a freak show, Earth. That would be a classic. And to be a headsman at that, they’d all say: “Where you been, at some dance…” Life was different on Moiromma, no sex for the most part [platonic for the most part, for many had both sex parts], no one ever went to the toilet but excreted waist out of their porous that is why they had a scabby body, that also kept them warm; it was like sweat, syrup thick.

The Kingdom

As Uhluhtc looked about walking mile after mile on his new found planet, a bit smaller than earth’s moon, he called about names he remembered, one in particular being, Jokaneen. She was more female than male, and was the last person he saw in his minds-eye before he died; she was cheering him on during the war battle with Nora Iron. And so he called and called and called her name until his voice could not call no more. He knew he’d not freeze to death, he never had before, his scab-like body kept that from happening, it protect him from the cold, the utter freezing to death cold. Although it could make a person uncomfortable, and in old age, it could kill you, should it get past 60 to 70 below? But the planet seemed to have a spider web of currents surrounding it, which drew on the blood of its inhabitants not allowing the cold to freeze the blood solidly, or the heart, or the lungs, thus allowing the flow of thick blood to continue, with often times the pain of the cold, should one be of a very old age. In essence, it wasn’t easy to die here, and you never knew where you might end up should you die. So no one really wanted to die, too many variables. It was if a god some place was using them for his purposes on other planets, especially when they became too aggressive. Perhaps it was this god called Rahsna, or was this hell for them, as the earth people had explained to him, humans go to. Maybe each planet had their hell, and each solar system a hell planet. Possibly creatures like him went elsewhere, who knows, maybe this planet was his hell from another time. Everyplace has it hidden history, its secrets, and Rahsna was no different.

Strangely enough, as he was about to yell again, a voice came echoing back to him, a high pitched voice, it called his name: “Uhluhtc, Uhluhtc! Is that You!!” Then all of a sudden she spotted him, and started running to him, and saying many things in her native tongue, “Yaha to-mo ha, [welcome back]” and”Toaw wow a la [I’ve missed you].” And she surely was a sight for sour eyes, if not sore eyes.

Uhluhtc was insistent they find a place within the ice they could talk, a place they called: ‘Uwabam ma,” meaning, an ice cave that had volcanic waters within it keeping everything to a moderate temperature. And so she took him to her “Uwabam ma,” and explained that Nori Iron had not returned, and after he had left [like himself], everyone went into cells on their own, kind of in smaller packs, if you will. She had gone on her own, herself she explained: being more female than male it seemed safer, lest she be used for fun and played with like a toy to take away boredom; for many of her kind would seduce the weaker inhabitants, for pleasure, a pleasure they could sense more than feel, providing one could work the imagination properly. By and large, there were only a few like her, more female than male that is, they being the odd ones, and much in demand on this humdrum planet.

As the hours passed, the reuniting took a different beat, Uhluhtc explained to Jokaneen about his venture on earth; that, regrettable, he was used as a haughty, if not scary pagan vile creature from their inhuman past; she simply absorbed this as a fantastic story, one beyond any others that she was told, not sure if she should, or could digest it as truth.

Looking Twins

As unexpectantly as it was, it was believable nonetheless that the once kingdom he ruled was no more than a pack of dogs stretched across the wasteland of this arctic sphere in outer space; a world barrenness without roads or trees; a people who came and went like the swirls of dust, dust that circled the globe. With its gray nights and pale days; fluctuations that stirred with the winds; yester-eve was leafless, as was this evening, as the two, and only two, trees [on the planet] blackly bare, twigs and branches about, as precious as the moment of sun-light each day was. An alien race that visited earth, and other planets, no secret to them, the secret was to the other plants that they lived on a sunless planet, something they’d never understand, or would want to understand. And one had to die to get to it, what an adventure he told himself.

Within Jokaneen’s ice vault of dark-blue hoarfrost, lo, an idea came to mind, she wanted to search and see if any of her old friends were still nearby. Feeling safe or a little safer since Uhluhtc was by her side now. Before they ventured outside again, they ate some long ice rats, and ice worms, with long tentacles that looked like weeds—this provided fate for them, a food the planet had an abundance of, if you could catch them. The worms lived in the ice, and the rats above, on the surface. Although it was seldom they needed nourishment: that is, unneeded on a regular bases, in the sense if you didn’t get it, it wouldn’t kill you for a long time, just weaken you, it was needed for ongoing strength though: but death would not normally take place: save for the fact, the psychological triggers to hunger for that would remain, the cravings a body goes through. Their bodies were like long lived camels in a way. On earth, Uhluhtc gained some one hundred and fifty pounds from the abundance of food.

An uncanny wind was now crying eerily as they both left the abode to search out other life, the cells of the populace they once knew; Jokaneen had said she believe the population was not much different than before possibly a few more, maybe thirteen-thousand at the most, for many had returned from far off places most recently.

As they walked and looked about, the skies were looking witch like, as their bodies started to get covered with a frost, as they silently kept tracking over the desolate region; Jokaneen was familiar with most of the terrain, yet they found nobody.

Something accrued to Uhluhtc, noticing there were no life signs on the surface of the planet, none what so ever, “Possibly,” he explained
to Jokaneen, “just possibly the inhabitants might have left the cells, and are individually dying within their own ice abodes, or trying to die and can’t.” She nodded her head in agreement, saying, “Anything is possible I suppose.”

It was over a hundred miles they had walked before they stopped to rest. Said Uhluhtc, with a bit of wisdom to share with Jokaneen, which was another story from earth:

“I had once met a man on earth, a man by the name of, A. C. Htims, who once talked to me in my own language, after putting me into a spell like atmosphere, as in hypnosis, when I had come out of it, A.C. Htims, had told me in our own language, that when he was a young boy (Uhluhtc quickly inserts: ‘…and he imprinted this in my brain so I’d remember when I’d return, this is why I’m telling you…), his grandfather told him about the Prison House of Gloom, that Moiromma was his home planet, but he was taken off this planet to someplace else, which was of course earth in a spaceship, never to returned; while others were left to survive on their own on the scorched, and dead planet. He said most of the inhabitants had died that were left behind some one-hundred million had died, leaving about 10,000. Well, the old man, that is Mr. Htims, had mentioned this House of Gloom, where certain things were stored within the peaks of the mountains on Moiromma, in its underground tunnels (once sea-beds) where also things called ‘suns’, that were stored. That they were hidden their so this world of ours would not melt and during its evaporation stage, they felt the weight of the inhabitants would eventually create a possible crust distortion, which might cause the axis of the planet to crash into asteroids, or like planets. And so they hid the sun’s rays to deflect from the planet directly.”

She looked at him in disbelief, and even if she could believe him two people could not change the course of the planet to be anything other than a dead snow ball in space, like that of a comet 200,000-million miles away from a sun. So she smiled to appease him, and did nothing to change the flatness of her unemotional face.

But Uhluhtc was full of spark, energy, ideas, and was proud he had remembered all the details. Thinking: therefore, if they could find this hidden treasure, this Prison House of sorts, life could possibly resume back to normal, whatever normal was before. All this made good sense to Jokaneen—but it was just a story, like so many people told when they came back to the planet, another speculative story, no more than that, but a good one to her nevertheless. In all reality, to her what was normal was the moment, and in this moment she could not understand Uhluhtc’s mystery voyage at all. She looked at him puzzled, but kindly.

She asked in her native language, “Howkalia dela savoay,” meaning: can you destroy us. She was scared, frightened for the moment, thinking he may have come back with some supernatural powers.

Explained Uhluhtc in the simplest of terms:

“Life is not necessarily the same on other planets as it is on Moiromma, gravity is different, things are heavier or they can be lighter, days are not all the same length; but I understand this is just too much, way too much for you to tackle.” She gave a sigh, although he did not answer her question, he gave a humble monologue; one she felt save with. As they walked back to their abode, to rest and get some sleep, in which they only needed but a few hours, possibly an hour or two deadly sleep every few days, and then they’d be good for a promising few days more, Jokaneen was quite taken by what Uhluhtc character to the point that when Uhluhtc went to sleep, she took a sword of deep dark condensed hard blue-ice, as sharp as a saber-tooth rat’s jaw, possible six inches long, and stabbed it into his chest, and ate him sum total.

Author/Poet Dennis Siluk dennissiluk.tripod.com dennissiluk.tripod.com